Welcome! I’m glad you came by to get that off your chest. Since you’ve read my post, you already know I agree with you. It was weird they made him a shriveled baby instead of a grown man with a beard and cigar who could talk and drink. Be an old man or a baby, not half and half!
]]>Roth took the idea and improved on it. The film is much better.
]]>Eric Roth kept none of the characters’ names except for Benjamin’s. If it wasn’t in the title, I wonder if he would have changed that, too.
He didn’t really keep any of the characters, either. Besides Benjamin, his father is the only character who overlaps and he abandons Benjamin at birth in the movie. He does shows up a couple times later but isn’t a presence in Benjamin’s life. And Hildegarde and Daisy’s only similarity is that they’re both female—they’re completely different characters.
I agree with you that Fitzgerald’s story and ending are very powerful but the movie is not an adaptation, Roth did not “add to it.” He did not make Fitzgerald’s story “his own,” he created an entirely different one. The only similarities between the two are the title, aging concept and exploration of mortality.
And about those trailers—I loved them, too. They’re part of the reason my expectations for the film were so high.
]]>Secondly, on the review page, I responded to your concerns by saying that if Roth had made a faithful adaptation, it would be a half hour film. He had to add to it. That said, I’ve read that Roth kept the characters names (mostly) and the premise, but really made it his own story. Which I am, as a great admirer of the short story, completely okay with. Why? Because Roth has stated that the story is about life and death. The ending of the short story, in my opinion, was Fitzgerald’s triumph. You can tell by the way that those last few paragraphs unfold like nothing else in literature. It’s a powerful, powerful ending, and I am sure that Fitzgerald saw it as the most pivotal point of the story. And what Roth has done, from what I gather from the trailers, from popculturenerd’s review and responses, and from the filmmakers’ comments themselves, is writ the ending large.
Yes it would have been fun to see Benjamin running roughshod all over the Yale defense, but doesn’t that sound a bit like Forest Gump to either of you?
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