Thanks, PCN.
]]>I suppose he has his audience out there, but he won’t be getting my $10.50.
Can’t believe he got Isla. Then, again, Marilyn Manson does well with the ladies too.
]]>Childhood memories can have a powerful hold over us and make us enjoy all kinds of things that other people would find inexplicable. Two Christmases ago, a friend gave me an old Bionic Woman doll he found on eBay. It has ratty hair and mismatched shoes (pumps, though she’s supposed to have sneakers on) but I yelped like he gave me a brick of gold.
I loved that show as a kid and had a doll like that but had lost it. As I put the replacement up on my mantel in a prominent position, my husband was scratching his head but luckily, he tolerates my cheesiness.
]]>I’m pretty sure you’ll laugh whether you like it or not. I laughed through the whole thing, loudly, and feared being obnoxious to those around me until I realized they were laughing just as hard. Some things were definitely not up my alley (while literally up Brüno’s–oy) but when it’s Cohen, you have to expect that.
According to someone I talked to who was in the movie, his scenes and reactions are authentic since he really did not know who Cohen/Brüno was (let’s just say he’s outside the target demographic).
]]>I wouldn’t give it an Oscar in my wildest dreams -perhaps except for SFX- but I like to go watch movies with the only thought of enjoying them. And I did. Of course, the company doesn’t hurt!
]]>I think I will be seeing the movie, but I will wait until I can rent it or watch it on HBO.
I don’t know. It doesn’t get me excited, at least not at the level which “NINE” or “The Invention of Lying” has.
]]>Would love to hear your thoughts after you see it. Then check back next week for my interview with the agent in the movie. What he said about how Cohen and company pulled off their stunt with him is fascinating.
]]>As for similarities to Kaufman, he was also pretty committed to his characters but I think he was less accessible to the general public. There were times when I’d watch Kaufman and not understand where he was headed with a performance piece. With Cohen, you see pretty clearly why he’s doing what he’s doing.
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