I’m so glad you got to see this. I’m still talking about it; just recommended it to someone two days ago.
Campanella wanted to cut Pablo because he said that character was just a fool in the book. He and Sacheri had to punch him up and give him a more pivotal function in the movie. And though the book also has a twist ending, it was different in that…**SPOILER**
**SPOILER**
**SPOILER**
when Esposito finds the two men, they’re both dead.
]]>How powerful was that scene before he boards the train! And that twist!! Just as you said, Perfection! Can’t thank you enough for bringing it to my attention, PCN!
]]>Thanks for putting out a review. I know you are pretty discerning and I am more apt to check out something you like as opposed to so many of the popular publications out there. Other than yours, I can’t recall the last time I agreed with a movie or book review.
Keep up the good work.
]]>I got lucky enough to tag along with a friend for an early screening. It was like I was taken to another time, place and country. It was really magical. I had never seen/heard of any these actors before and I couldn’t believe how mesmerized as I was by this film. Hasn’t been a film in recent memory I could say that about.
Glad you thought so as well.
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