That’s not to say the results are always boring, hence my varying thoughts on the biopics I saw recently.
Bryan Cranston stars as Dalton Trumbo, the novelist and screenwriter who was blacklisted and imprisoned for refusing to testify in front of the House Un-American Activities Committee, but nevertheless managed to win two Oscars—for Roman Holiday and The Brave One—under an assumed name.
This is standard biopic fare, with nothing to qualify it as exceptional. Cranston is solid, Helen Mirren doesn’t do anything as gossip columnist Hedda Hopper we haven’t seen from her, and the ever luminous Diane Lane is wasted as Trumbo’s patient wife, Cleo.
Memorable performances come from Michael Stuhlbarg as Edward G. Robinson, torn by loyalty to his friend Trumbo and his need to preserve his career, and Dean O’Gorman, whose resemblance to the young Kirk Douglas is so startling, I thought Mr. Douglas had Benjamin Buttoned to be in this movie.
Reasons for seeing it: To be reminded of how mass hysteria and government-dictated imprisonment of US citizens for their political views is a very bad idea.
Based on Walter Isaacson’s bestselling biography of the Apple cofounder, boosted by Aaron Sorkin’s script and Michael Fassbender’s mesmerizing performance in the title role, Steve Jobs is a surprisingly riveting portrait of the complicated man behind the popular computers and mobile devices.
As with all Sorkin-written movies, this is very talky, but the dialogue is sharp, often cutting straight to blunt truths, and nimbly delivered by the cast. When Jobs is asked why he never approached his biological father despite knowing the man’s identity, he replies, “Because he’d probably find some reason to sue me.”
Fassbender is a sure best-actor contender for simultaneously displaying the brilliance and vulnerability, arrogance and fear, triumphs and frustrations, confidence and regret that shaped the mercurial Jobs. Even when Jobs is being a jerk, I oddly found myself rooting for him because he’s simply more dynamic than anyone else on screen.
Kate Winslet supports Fassbender well as Apple’s marketing executive Joanna Hoffman, the only person who seemingly had the balls to stand up to Jobs. Michael Stuhlbarg shows up here, too, once again doing subtly effective work as another real-life person—original Apple team member Andy Herztfeld—struggling with conflicting loyalties.
Reasons for seeing it: Fassbender’s commanding performance, strong writing from Sorkin, learning about the development of iconic Apple products.
Eddie Redmayne and Alicia Vikander can count on Oscar nominations for their work as married artists Einar and Gerda Wegener. With Gerda’s support, Eina became the first person to undergo gender-reassignment operations, transitioning into Lili Elbe.
I don’t think Redmayne will win again this year, though. Like he did as Stephen Hawking in last year’s The Theory of Everything, the actor fully immerses himself in the dual role of Einar/Lili, but he’s less effective here. Whereas with Hawking, the actor manages to show the man’s internal life while remaining mostly immobile, Redmayne’s Lili employs a lot of feminine mannerisms and hand gestures that make his performance seem more about the external than internal. Vikander, on the other hand, is raw and hearttbreaking as a woman who can’t stop loving her husband, even after Einar kills him off so Lili can live.
Reasons for seeing it: Vikander’s star-making performance, to better understand the internal and external struggles of a transgendered person.
]]>Mission: Impossible—Ghost Protocol (Dec. 16)
I didn’t like the last one and wasn’t over the moon about the first two, so it was a pleasant surprise to find myself having a lot of fun watching #4. Director Brad Bird (The Incredibles), in his live-action debut, has revived the franchise and made it exciting. This time, the mission is to prevent nuclear war, but it’s really just an excuse for some nail-biting action. Standout scenes include a chase—on foot and on wheels—in a sandstorm with no visibility, Ethan Hunt (Tom Cruise) climbing the tallest building in the world in Dubai, and a fight inside a parking garage where Hunt does something insane with a BMW. The supporting actors—Jeremy Renner, Paula Patton, and Simon Pegg—are not your cookie-cutter action stars. They bring a little humanity to their characters, with Pegg providing the humor. But this is Cruise’s movie, and he shows he’s still vital. There’s been talk of him passing the torch to Renner, but after this, I think Cruise should keep leading the IMF team, at least for a couple more missions. Nerd verdict: Accept this Mission.
Carnage (Dec. 16)
The entire movie, based on Yasmina Reza’s play God of Carnage, takes place in one afternoon in one location—the apartment of a couple whose young son has been hit by a classmate. Jodie Foster and John C. Reilly play Penelope and Michael, the parents of the “victim,” and Christoph Waltz and Kate Winslet are Alan and Nancy, whose son is the aggressor. The four start out politely trying to negotiate how they should deal with the incident, but the gathering slowly devolves into a nasty session of finger pointing, name calling, and literal projectile vomiting. Roman Polanski gets solid performances out of all four actors, but the problem is none of the characters is very likable. Watching it is like being at a really uncomfortable tea party. Alan can’t stop yapping on his cell phone, Michael turns out to be a boor, Penny is uptight, and Nancy is high-strung. When they start yelling insults at each other, I just wanted to leave the room. Nerd verdict: Carnage is emotional road kill.
Young Adult (Dec. 9)
Charlize Theron stars as Mavis, a YA writer whose maturity level seems stuck in adolescence. After she gets a baby announcement from her high school boyfriend, Buddy (Patrick Wilson), she returns to her hometown in Minnesota determined to win him back. Who cares if he’s married to a sweet woman (Elizabeth Reaser) and just became a father? Mavis is gorgeous and they once had a connection so she’s certain he should be with her. Theron, directed by Jason Reitman, goes balls to the wall with the emotionally screwed-up Mavis (who might also be alcoholic), and her refusal to ask for the audience’s sympathy is impressive. I’ve always thought Theron a gutsy actress and this might be her gutsiest performance, playing an ugly character without the help of prosthetics like in Monster. But Mavis is inaccessible, partly because she has no character arc. She learns nothing from her experiences so what is the point of our taking this journey with her? So we can laugh at or feel sorry for her? That’s the last thing she would want. Nerd verdict: Adult more cringeworthy than puberty.
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]]>Now, I know everyone and his best friend’s second cousin’s lip waxer have already done predictions so I wasn’t gonna do any more than the ones I already made back in December and January. But then I thought, Why not? Maybe I can help someone win fifty bucks in an Oscar pool to put towards next week’s groceries. I’ve seen all the nominated movies, except for the shorts and foreign films (you’re on your own there!) so I’m not making wild guesses based on hype. These are my (hopefully) informed opinions based on the actual quality of the films. I know—the Oscars are sometimes more about PR but I can hope, right?
Here goes:
Best Picture: Slumdog Millionaire
Best Actor: Sean Penn — Milk
Best Actor: Kate Winslet — The Reader
Best Supporting Actor: Heath Ledger — The Dark Knight
Best Supporting Actress: Penelope Cruz — Vicky Christina Barcelona
Best Director: Danny Boyle — Slumdog Millionaire
Best Animated Feature: WALL*E
Best Original Screenplay: Dustin Lance Black — Milk
Best Adapted Screenplay: Simon Beaufoy — Slumdog Millionaire
Best Art Direction: Donald Graham Burt (Art Direction); Victor J. Zolfo (Set Decoration) — The Curious Case of Benjamin Button
Best Cinematography: Anthony Dod Mantle — Slumdog Millionaire
Best Costume Design: Michael O’ Connor — The Duchess (no contest—Keira’s dresses were eye-popping)
Best Editing: Chris Dickens — Slumdog Millionaire
Best Makeup: Greg Cannom — The Curious Case of Benjamin Button
Best Score: A.R. Rahman — Slumdog Millionaire
Best Song: “Jai Ho” — Slumdog Millionaire
Best Sound Editing: Glenn Freemantle and Tom Sayers — Slumdog Millionaire
Best Sound Mixing: Ian Tapp, Richard Pryke and Resul Pookutty — Slumdog Millionaire
Best Visual Effects: Eric Barba, Steve Preeg, Burt Dalton and Craig Barron — The Curious Case of Benjamin Button
Best Foreign Film: Waltz with Bashir
Best Documentary Feature: Man on Wire
Do you agree with my choices? Who are you rooting for? Post a comment then check back Monday for scoopy stuff from inside the Oscars from my sources who will be there!
]]>Of course, it wasn’t the first time that’s happened. Over the years, many actors have been robbed of Oscars. I’ve narrowed this very subjective list down to the ten most egregious snubs (besides Ryan’s) in the last twenty-five years, starting with the most recent.
So, do you think the Academy mostly gets it right or does it seem like they sometimes vote while high on crack? Which performances do you think were wrongly denied an Oscar? Comment away!
]]>Best Picture
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Director
You can see the complete list of nominees here.
Didn’t expect Kate Winslet to be nominated for Best Actress for The Reader, though it only reinforces my belief she’ll win this category.
Overall, I agreed with most of the nominations. LOVED that Michael Shannon got a nod for Revolutionary Road. He was exceptional. The Supporting Actor category is ridiculously jampacked with really strong contenders. Last December, I picked Josh Brolin and I’m holding on to that for now, but Shannon just made this category impossible to handicap, Heath Ledger aside.
I also loved Robert Downey Jr.’s performance so I refuse to consider it a “surprise” nomination (the live audience at the announcements ceremony gasped loudly then chuckled). There’s precedence for a great comedic performance to be nominated in this category: Kevin Kline for A Fish Called Wanda and he won. RDJ’s feat as “the dude who played the dude who played a black man” in Tropic Thunder was astounding. He completely transformed himself into two different characters—even in the brief moments when he wasn’t “black” in the movie, he was a platinum blond, blue-eyed Australian guy and there wasn’t a hint of RDJ in either guise.
Loved that In Bruges got a Best Original Screenplay nomination for Martin McDonagh. I’ll stop shoving that movie down your throats now.
Loved that WALL•E was nominated for Best Animated Picture though it could well contend for Best Picture, period. Then again, it’s sure to win in the animated category. It also received a Best Original Screenplay nod for Andrew Stanton, Jim Reardon and Pete Docter and I wouldn’t count them out but I think Dustin Lance Black will take it for Milk.
Other categories I’m calling (I already predicted acting winners last month): Best Director—Danny Boyle, Best Adapted Screenplay and Best Picture—Slumdog Millionaire. I also think the film’s A.R. Rahman will take Best Score and one of the Best Songs, and Anthony Dod Mantle will win for Slumdog‘s cinematography. When Mantle talked about shooting in Mumbai among the crush of people, running after children, trying to keep everyone from looking at the cameras, I’m amazed he managed to pull it off.
E!’s movie critic Ben Lyons, who annoys me because he can’t even get titles right (at the Globes, he said “Welcome to the Golden Globe” at one point and then called Meryl Streep’s next movie Julia & Julie when it’s actually Julie & Julia), said right before the announcements that he thought Clint Eastwood would get a Best Actor nom for Gran Torino. I was vigorously shaking my head because I couldn’t disagree more. Eastwood squinted and growled like a junkyard dog throughout the movie and I thought it was ridiculous. I kept thinking, “I get it, you’re a tough guy, stop with the overly indicating.” I’m glad Richard Jenkins got nominated instead for his funny, sweet performance but was disappointed to see Michael Sheen omitted from this category for Frost/Nixon. He was just as good as Langella.
What did you think of the noms? Any mentions really excited you? Any egregious omissions? Leave me a comment. I’m sure I’ll have more thoughts but right now, it’s roughly 6:30 and I’m amazed my brain is even functioning at all.
]]>Here are some topics to maybe spark some thoughts: Kelly Clarkson’s new single “My Life Would Suck Without You” (listen to it in the video below), news coverage of that amazing US Airways plane landing, Watchmen lawsuit settled, Joaquin Phoenix releasing a rap album produced by P.Diddy, The L Word getting a spin-off in prison, Harrison Ford and Brendan Fraser teaming up for a movie with no swashbuckling whatsoever, Grisson’s CSI goodbye, Kate Winslet winning two Golden Globes, Paul Blart: Mall Cop, your early American Idol faves, the inauguration—where/how will you be watching it?
C’mon, the floor is yours, tell me what captivated you, share a guilty obsession and maybe find out you’re not alone. Don’t be shy—promise I won’t judge!*
[youtube=http://www.youtube.com/watch?v=XO-xXumDcqg&feature=related]
]]>FILM
BEST DRAMA: Slumdog Millionaire (click here for a discussion with the filmmakers)
BEST COMEDY: Vicky Christina Barcelona
BEST DIRECTOR: Danny Boyle – Slumdog Millionaire
BEST ACTOR – DRAMA: Mickey Rourke – The Wrestler
BEST ACTRESS – DRAMA: Kate Winslet – Revolutionary Road
BEST ACTOR – COMEDY: Colin Farrell – In Bruges
BEST ACTRESS – COMEDY: Sally Hawkins – Happy-Go-Lucky
BEST SUPPORTING ACTOR: Heath Ledger – The Dark Knight
BEST SUPPORTING ACTRESS: Kate Winslet – The Reader
BEST SCREENPLAY: Simon Beaufoy – Slumdog Millionaire
BEST SCORE: A.R. Rahman – Slumdog Millionaire
BEST SONG: “The Wrestler” – The Wrestler (written & performed by Bruce Springsteen)
BEST ANIMATED FILM: WALL•E
BEST FOREIGN FILM: Waltz with Bashir – Israel
TV
BEST DRAMA SERIES: Mad Men
BEST COMEDY SERIES: 30 Rock
BEST MINI-SERIES OR MOVIE MADE FOR TV: John Adams
BEST ACTOR – DRAMA: Gabriel Byrne – In Treatment
BEST ACTRESS – DRAMA: Anna Paquin – True Blood
BEST ACTOR – COMEDY: Alec Baldwin – 30 Rock
BEST ACTRESS – COMEDY: Tina Fey – 30 Rock
BEST ACTOR – TV MOVIE OR MINI-SERIES: Paul Giamatti – John Adams
BEST ACTRESS – TV MOVIE OR MINI-SERIES: Laura Linney – John Adams
BEST SUPPORTING ACTOR IN A SERIES, MINI-SERIES OR MOVIE MADE FOR TV: Tom Wilkinson – John Adams
BEST SUPPORTING ACTRESS IN A SERIES, MINI-SERIES OR MOVIE MADE FOR TV: Laura Dern – Recount
What did you think of the winners? Who do you think deserved it and who just happened to coast by on popularity and/or past achievements? Leave me a comment!
]]>Best Actor: Sean Penn for Milk. This is Penn as we’ve rarely seen him—smiling, vulnerable, in love, inspiring—instead of angry, grim or high. He brings Harvey Milk vividly to life and makes us feel the loss of the real man all over again.
Best Actress: Kate Winslet for Revolutionary Road. I’ve liked some of her other performances better—Clementine in Eternal Sunshine of a Spotless Mind, Sarah in Little Children—but this year has been light on female contenders so I think Winslet will finally get her little golden man for this harrowing performance.
Best Supporting Actor: Josh Brolin for Milk. The film’s cast is very, very strong but, besides Penn’s, Brolin’s performance as Dan White is the one that stayed with me long after I saw the movie. It’s a beautifully nuanced portrayal of a man in conflict with himself and the changing world around him.
Best Supporting Actress – Penelope Cruz for Vicky Christina Barcelona. She is on fire in this film. She’s passionate, electric, crazy, and just uninhibited. When she’s on screen, you can’t watch anyone else. Considering the other actors include Javier Bardem and Scarlett Johansson, that’s saying a lot.
I’m not going to pick Best Picture because I’m not passionate about any of the contenders. There are some good films but none made me say, “Wow, I LOVE that movie!” I remember back in 1981, my favorite movie was Raiders of the Lost Ark but Chariots of Fire won. Chariots was respectable, but it didn’t blow my mind like Raiders did. In 1995, I admired the production values and talent involved with Braveheart, but I was rooting for Babe on Oscar night.
At least Raiders and Babe were nominated for Best Picture. My favorite film this year, with probably no chances for any Oscar nominations (though I was thrilled it received 3 major Golden Globes noms), is In Bruges, a film starring Colin Farrell, Brendan Gleeson and Ralph Fiennes that I saw back in January and has long been out on DVD. This movie is well-acted, brilliantly written, suspenseful, hilarious, twisted and most important (to me), it was damn entertaining.
What are your favorite films this year that you think have about as much chance of being nominated as Oprah has of being poor? Leave me a comment below.
Here’s hoping you’ve enjoyed yourselves at the movies this year and will have many good reasons to go to the theater next year.
COMING SOON: An evening with the director (Edward Zwick) and cast of Defiance (Daniel Craig, Liev Schreiber, Jamie Bell, Alexa Davalos), and the stars of Revolutionary Road (oh, you know who they are).
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