by Eric Edwards
Anna (Amy Adams) and Jeremy (Adam Scott) are a seemingly perfect, upwardly mobile couple. They are both attractive, great at their jobs and have bright futures. What they aren’t is married and Jeremy doesn’t seem to be in any hurry to propose.
Thus, when business takes Jeremy to Ireland, Anna decides to follow him and take advantage of a popular Irish custom in which women propose to men on February 29. Due to inclement weather, one of her connecting flights is canceled and everything goes awry as she tries to make it to Dublin before leap-year day is over. Severely strapped for cash, hot innkeeper Declan (Matthew Goode) agrees to drive her to Dublin for a fee. Though they encounter endless mishaps along the way, I think you can figure out what happens.
This film suffers from severe formula-itis. Yes, we’ve seen it all before, but director Anand Tucker (2005’s fine Shopgirl) doesn’t even try to give a fresh spin to the screenplay by Harry Elfont (who is also responsible for the equally forgettable Made of Honor). It is so obvious Anna and Jeremy do not belong together that the whole initial setup of the story lacks credibility.
By the time Anna meets Declan, I was wondering if maybe I should have gone to see Up In The Air for a second time. That said, it isn’t the worst thing currently playing at the box office and Newton Thomas Sigel’s breathtaking cinematography of the Irish countryside had me checking flights for the Emerald Isle as soon as I got home.