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sandra bullock

Movie Review: GRAVITY

GRAVITY

Movie awards season is finally here, which means the studios are holding screenings all over town, pushing their contenders for the Oscars and the plethora of other awards. This week I went to two screenings, the first being Alfonso Cuarón’s Gravity (out Oct. 4), starring Sandra Bullock and George Clooney.

Within the first twenty minutes, it was clear to me I was watching a 2013 Best Picture nominee, if not the winner. Every once in a while, a movie comes along that makes me wide-eyed and agape, wondering, “How did they do that?” It’s happened only a few times in my life, including when I watched Star Wars as a kid and Terminator 2: Judgment Day more than twenty years ago, with all that liquid metal and Robert Patrick’s T-100 doing all the shape-shifting.

Gravity’s story is simple: Dr. Ryan Stone (Bullock), a scientist, and astronaut Matt Kowalski (Clooney) are on a mission when something horrible happens, leaving them stranded in space. What follows is a 90-minute survival tale, an intense and emotional journey.

You know you’re in for something seminal right at the beginning, with a long, unbroken shot of the glimmering surface of the Earth, as seen from 600 km above it. Then the space shuttle Explorer takes its time coming into frame, with Kowalski cruising around it on a jet pack. I find the 3D in most movies completely unnecessary, but in Gravity it’s used beautifully.

I also don’t care for IMAX, but recommend seeing this movie on the biggest screen possible to get the full immersive experience. Sometimes the POV is from inside Stone’s helmet looking out, the sound would cut out, and you really get the sense of floating/spinning in space, which is at once hypnotic and terrifying. I almost cried several times from anxiety and frustration.

But all the artful cinematography and special effects wouldn’t, well, have any weight without Bullock anchoring the movie. Her Dr. Stone is brave and ordinary at the same time, a somewhat regular person being thrown into the most extraordinary circumstances imaginable. Bullock has the difficult job of holding the screen alone for long stretches, but she makes it look easy and natural. Clooney brings his usual charm to the calm and experienced Kowalski, a good balance to Bullock’s novice in space.

The movie may be labeled as sci-fi but I wouldn’t call it that. There are no aliens, the story is about humans, and the technology on screen, as far as I could tell, mostly  already exists. What Cuarón and his collaborators achieved, however, is not something you’ve likely seen before.

Nerd verdict: Gravity has strong magnetic pull

Photo: Warner Bros.

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My EXTREMELY LOUD Thoughts on the WAR HORSE WITH THE DRAGON TATTOO

OK, my thoughts aren’t THAT loud and there are no tattoos on Joey, the horse in War Horse (there is a birthmark), but I am combining my thoughts on The Girl with the Dragon Tattoo, Extremely Loud & Incredibly Close, and War Horse in this post. I’ve been traveling and it’s been planes, trains, and automobiles for the past twenty-four hours, so the following won’t be full-length reviews but lists of the pertinent points I want to make about each movie.

The Girl with the Dragon Tattoo

If you’re curious about this movie at all, it’s probably because you’re a) a diehard fan of the books and/or Swedish movies and want to compare, b) you haven’t read or seen any of the other versions but are thinking about checking this out to see what all the Stieg Larsson and Lisbeth Salander hubbub is about, or c) you’re a David Fincher fan. So here’s what you want to know:

  1. Rooney Mara is convincing but her Lisbeth is different than Noomi Rapace’s. Rapace was fiercer, with an undercurrent of anger even when she was still, whereas Mara’s Lisbeth is cooler, as in detached. She also looks younger and more waifish, closer to the book’s description. Bottom line, though, Rapace’s performance leaves a much more indelible impression.
  2. If you’ve read the books and seen the Swedish movie, you don’t need to see this one (my review of the book is here and the Swedish movie here). It’s faithful, down to the sluggish exposition in the beginning. There are no surprises because you know everything. The change in the ending, a source of controversy, is not a big deal and it works. Without it, the two-and-a-half-hour movie would’ve been even longer.
  3. Except for the dark, freaky title sequence, you can’t tell this is a Fincher movie, though after The Social Network and The Curious Case of Benjamin Button, the Fincher style seems to be expanding.
  4. The biggest laugh at the screening I attended came from a T-shirt Lisbeth is wearing when she first meets Mikael.
  5. Daniel Craig is a sexier Mikael Blomkvist, which justifies his ladies’ man status in the novels. The actor starts out doing a slight Swedish accent but abandons it fairly quickly (everyone else keeps theirs on). This isn’t about him, though. It’s Mara’s movie. And while she does just fine, Rapace left combat boots that are hard to fill.

Nerd verdict: Fine film, but redundant for those previously Tattooed

Extremely Loud & Incredibly Close

The protagonist of this movie, based on Jonathan Safran Foer’s novel, might also be autistic or have Asperger’s, like Lisbeth. Eleven-year-old Oskar Schell, whose father died in 9/11, finds a key the senior Schell left behind and goes on a quest to find out where the key fits, believing it’s a clue to a puzzle his dad would’ve wanted him to solve.

  1. Thomas Horn, who has never acted before, is an amazing find as Oskar. His role is extremely difficult, for not only does he carry the movie, but he has long monologues spouting facts and figures that would twist the tongue of actors twice his age and experience. Horn is a Jeopardy! kids champion and obviously has the smarts to make the dialogue convincing, but he also has emotional intelligence, a harder thing to access, especially on cue. You can see him thinking, and then feel what he feels.
  2. Tom Hanks plays the dad in jovial Hanks fashion, and Bullock has some moving moments as the mom. It’s nice that it’s no longer a surprise when she turns in strong dramatic work. Viola Davis, Jeffrey Wright, and Max von Sydow also have standout scenes, but their roles are all small.
  3. It might still be too soon (it may always be) for a wide audience to accept a movie about 9/11. Scenes of people falling from the sky in slo-mo don’t help.

Nerd verdict: Perhaps too Loud, too soon

War Horse

An English lad named Albert raises and trains a horse named Joey that his father bought at auction to help around their farm. It’s quite clear, though, that Joey is much too spirited for mundane farm life, and when WWI breaks out, Albert’s father sells him to the cavalry. The movie is Joey’s journey through the war and the people—civilians and military from all sides—whose lives he touches.

  1. The horses who play Joey are great actors, displaying such a vivid personality, you can almost tell what Joey would say if he could talk. If you’re not invested in his fate, then your heart is smaller than the Grinch’s.
  2. Director Steven Spielberg thankfulky holds back on the war depiction instead of giving us the full Private Ryan, but some of the scenes are no less traumatic. Yes, awful things happen to the horses. I wept more than once, but didn’t feel manipulated because of Spielberg’s restraint.
  3. Tom Hiddleston (Loki!), Benedict Cumberbatch (Sherlock!), and Emily Watson have small roles but make the most of them. Their absense is felt when they’re not on screen.
  4. The most memorable scene is one that shows the ridiculousness of war, how people wouldn’t want to kill each other if they could see they’re not that different when standing eye to eye instead of gun to head. The scene is more striking because it uses humor in the middle of a tense situation, and the point is made while we’re laughing, which is sometimes a more effective way to communicate than making others cry.

Nerd verdict: Star Horse

What are you looking to seeing this weekend? If I don’t see you here again before Sunday, I wish you a holiday that makes you feel like a kid waiting for Santa to come the night before. Smile big, spread joy, and may it come back to you tenfold.

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Nerdy Oscar Predictions 2010

I know, I know, everyone’s doing Oscar predictions so what makes mine special, right? Well, I didn’t say they were, but I slogged through all the 10 best picture nominees (the Coens are going to PAY for Serious Man) so I’ll be darned if I don’t have my say. And last year I only got 2 or 3 wrong, though admittedly I guessed wildly when it came to the shorts.

So, here are who I think will win and who it should be:

Best Picture: Will win—Avatar, should win—Up in the Air, which has waaayy better story and acting. I hated Avatar and fell asleep three times.

Best Actor: Will win—Jeff Bridges, should win—George Clooney. The Dude is cool and has always done solid work, but this is not supposed to be a career award. Clooney’s performance was more layered and difficult than he made it look.

Best Actress: Will and should—Meryl Streep. Few years ago, everyone thought Julie Christie would win for Away from Her because she swept all pre-Oscar awards. But I chose Marion Cotillard’s performance in La Vie en Rose because the latter was clearly superior when you compared the two and Cotillard ended up prevailing. So I’m gonna trust that Academy voters watched their screeners and saw that Streep is the obvious winner here.

Best Supporting Actor: Will and should—Christoph Waltz. This is a done deal, an indisputably stunning performance.

Best Supporting Actress: Will and should—Mo’Nique. No argument here, either. Same reason as above.

Best Director: Will win—Kathryn Bigelow. Should—Jason Reitman. I’ll be fine with Bigelow’s win because she kicks ass but Reitman made the better, more emotionally resonant movie.

Best Original Screenplay: Will win—The Hurt Locker. Should win—Up. Carl, Russell, Ellie, and company were complex, fully drawn characters, while Hurt‘s script didn’t explain why James was such a war junkie. He had no character arc and remained unchanged from beginning to end.

Best Animated Feature: Will and should—Up. I am so broken-recordy right now.

Best Foreign Language Film: Will and should win—The Secret in Their Eyes. I like crime dramas.

Best Adapted Screenplay: Will and should—Up in the Air.

Best Score: Will and should—Up. The only score I can still hum.

Best Song: Will win—“The Weary Kind” from Crazy Heart. Should win—who the hell knows? I don’t know any of the other songs except “Take It All,” which was performed amazingly well by Marion Cotillard in Nine but I can’t really remember it.

Best Visual Effects: Will and should—Avatar. Boring movie but it sure was pretty.

Best Art Direction: Will and should—Avatar. See above reason.

Best Cinematography: Will win—Avatar. Should win—The White Ribbon. It was shot on color film and converted into black and white. The result is stunning and atmospheric.

Best Makeup: Will and should—Star Trek. Eric Bana was almost unrecognizable.

Best Costume: Will and should—Young Victoria. Historical costume dramas featuring royal subjects often take this category.

Best Editing: Will and should—The Hurt Locker. The tight editing had me holding my breath at times.

Best Sound Editing: Will win—Avatar. Should win—The Hurt Locker. The silent moments were just as tense and effective as when the explosions went off.

Best Sound Mixing: Will and should win—Avatar. Whatever. I’m bored with this category.

Best Documentary Feature: Will win—The Cove. Should? I don’t know and am not even going to pretend I’ve seen or heard of the others. Which leads me to wild guesses for the remaining categories…

Best Documentary Short: The Last Truck sounds topical.

Best Animated Short: A Matter of Loaf and Death. The title’s clever, and it’s a Wallace & Gromit adventure! Nick Park has already won four Oscars for previous W&G shorts; no reason to stop now.

Best Live Action Short: The New Tenants. Why not?

I’ll also predict that Penelope Cruz will wear something stunning, some audience members will give Jeff Bridges a standing ovation when he wins, and Alec Baldwin will be funnier than Steve Martin as co-host.

Now, it’s your turn. Who do you think will and should win? How much money do you have riding on this?

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Nerdy Hot 10 List—Female Edition

Last May, I published a Nerdy Hot 10 List of actors who are goofy or awkward but sexy because of it. As of this writing, that post alone has received over 52,000 hits. Crazy!

I’ve received numerous requests to post a female version, so I now present in random order my list of 10 actresses whose silliness make them hot.

  1. Tina Fey. I know, this is obvious, but her goofiness is brilliant so how can she not be here?
  2. Julia Louis-Dreyfus. The Elaine dance alone cemented a place for her on this list, but her continuing knack for physical comedy on The New Adventures of Old Christine and in those Healthy Choice commercials proves she’s got more than one move.
  3. Judy Greer. She’s got leading-lady looks but producers dumb her down so she can play the best friend (13 Going on 30, 27 Dresses) without stealing focus from the star. The friend usually gets the funniest lines, though, and funny is sexier than pretty and bland.
  4. Anna Faris. One of the goofiest actresses around, never saying no to humiliating situations on screen, but also hot enough to play a Playboy bunny in The House Bunny.
  5. Sandra Bullock. Yeah, she looks phenomenal naked in The Proposal, but it’s her special blend of on-screen klutziness and social awkwardness that puts her on this list.
  6. Jennifer Coolidge. Her presence, often in Christopher Guest’s mockumentaries, guarantees that lunacy will ensue. I’ll watch anything with her in it (even the awful series Joey) and that, to me, is true star power.
  7. Missi Pyle. Out of character, she’s stunning, but her absolute fearlessness in playing freaky characters (remember the unibrowed terror in Dodgeball?) is what makes her so winsome.
  8. Leslie Mann. Because she’s married to Judd Apatow and looks like that, one might be tempted to say she gets roles due to nepotism and for merely being pretty. But her hilarious turns as the girl who terrorizes Steve Carrell while driving drunk in The 40-Year-Old Virgin and as Katherine Heigl’s much funnier older sister in Knocked Up have proven she’s one dynamite talent.
  9. Elizabeth Banks. Her looks qualify her for magazine covers, but she’s most winning when she goofs it up in movies like The 40-Year-Old Virgin and on shows like Modern Family.
  10. Andrea Anders. Sure, she’s a cute blonde, but there are busloads of those in Hollywood. It’s her zeal for making her character on Better Off Ted (and earlier, on Joey) socially inept and sometimes just plain wrong that makes her stand out.

Who’s on your nerdy hot list? Sound off in the comments! (UPDATE: See my new 2010 Nerdy Hot Actors list here.)

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Nerdies for Best & Worst of SAG Awards

I usually love movie award shows but last night’s Screen Actors Guild Awards bored me. Many of the winners were the same as Globe winners from less than a week ago so I couldn’t muster up enough excitement to cheer even if they deserved it.

For a complete list of winners, see here. Read on for my random thoughts and nerdies for the event.

Most Shocking Winner Even Though I Really Like Her: Sandra Bullock for The Blind Side. Yes, I know she won a Globe but that performance wasn’t up against Meryl Streep’s in Julie & Julia (Streep won in the comedy category). I’m a big fan of Bullock’s, thought she was quite good in the movie and with her acceptance speeches, but Streep’s Julia Child wasn’t just a performance, it was a complete transformation.

Least Likely to be Wearing Any Underwear: Kate Hudson. How do you squeeze anything under that dress? How did she keep her bits in? I’m not picking on her; I really want to know.

Most Potentially Riotous Glee Guest Star: Justin Timberlake. After cast members said they wanted him on the show, Timberlake said he’d love to do it but no one has asked. Ryan Murphy, call JT’s people first thing Monday morning! Is it wrong for me to want the cast to do “Dick in the Box”?

Best Inclusion of Overlooked Co-Stars: Mo’Nique. In winning for Precious, she thanked the co-stars who haven’t been in the spotlight with her but are no less deserving of attention and accolades. She mentioned the actors who played the students in the Each One Teach One program and, most movingly, the child with special needs who played Precious’s daughter, Mongo. Mo’Nique has proven to be the most elegant acceptance-speech giver of the season. I can’t wait to hear what she says when she wins her Oscar.

Most Likely to be Working Until She’s 150: Betty White. Usually, during tributes to life achievement recipients, I take a bathroom break. Heck, I take a whole shower, those tributes are so long. But the one for White showed what an engaging entertainer she’s been throughout her long career, and her acceptance speech (“I look out at this audience and I see so many famous faces…I’ve worked with quite a few. Maybe had a couple”) proves that, at 88, she’s still got the wit and spunk to go a few more decades.

Best…Oh, Never Mind: I just wanted to run this picture of Colin Firth. Do I need an excuse or a fake award category?

Favorite Homegirls: Tina Fey and Bullock. Fey went to my alma mater, University of Virginia (I have a yearbook with her picture in it—no glasses, listed as Elizabeth Fey), and gave it a shout-out when she thanked her acting teachers there. Meanwhile, Bullock went to high school at Washington-Lee in Arlington, Virginia, not far from where I grew up (my brother’s best friend was in her class).

Best News for 40-Year-Old Men: The stunning Sofia Vergara says she’s single and looking for a 40-year-old guy. Her publicist’s inbox is going to explode.

Did you watch the awards? What were highlights and lowlights for you?

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Nerdies for Favorite Things of 2009

Hope you all are enjoying the holidays. Me, I’m having so much fun with family, I need more gigabytes in my brain to store all the memories being made.

I get grateful this time of year for 1) making it this far and 2) all the wonderful experiences I had in the last 12 months. So, between all the eating and social gatherings, I present to you my Nerdy Awards for favorite things this year.

Most Valuable Preposition: Up. Apparently, the best way to make sure a movie is good is by putting this two-letter word in the title. Up and Up in the Air tie for best movie I saw this year. Both are perfect blends of comedy and poignancy, light and dark, entertainment and explorations of what makes us human.

Best Reasons for Staying Home Wednesday Nights: Glee, Modern Family and Cougar Town. Wednesday nights are always a party in my house, as I sing along to Glee then laugh my face off with Family and Cougar. You’ve probably heard plenty about the first two but may not know that Cougar‘s cast, led by the game Courteney Cox, has really gelled into one hilarious ensemble.

Most Unique New Voices in Crime Fiction: Chet the Jet from Spencer Quinn’s Dog on It, Pietro Brwna from Josh Bazell’s Beat the Reaper, and Stella Hardesty in Sophie Littlefield‘s A Bad Day for Sorry. The field is crowded with cops and detectives but this year, I met fresh new characters starting with Chet, a dog who narrates the adventures he has while solving crimes with his human partner, Bernie. Brwna is a hit man turned jaded medical intern who uses a deadly weapon I’ve never seen used before. And Littlefield introduced us to a 50-year-old, slightly overweight woman who helps abused women keep their partners in line partly by using S&M restraints. These books are all first in a series so discover them now before the next installments come out (Chet’s new case, Thereby Hangs a Tail, arrives January 5).

Best Noir Debut: Richard Lange‘s This Wicked World. This is Lange’s first novel but it reads like he’s been writing them forever. Worthy of a place on my shelf among the genre’s greats.

Best Avoidance of Sophomore Slump: Gillian Flynn with Dark Places. Her debut, Sharp Objects, was so stunning, I wondered if her second novel would measure up. I was thrilled, then, to find Flynn delving even more deeply into the female psyche’s dark, twisted side in Places. Few writers can write about damaged, prickly women and make them so mesmerizing.

Fattest Books I Finished in Shortest Time: I got lost in Kate Morton’s gothic, 560-page The Forbidden Garden for 3 days, while my eyeballs were glued to the 512 pages in Stieg Larsson’s The Girl Who Played with Fire for 34 hours, finishing it in almost one sitting, minus a few hours of sleep.

Most Soul-Shaking Book: Jon Krakauer’s Where Men Win Glory: The Odyssey of Pat Tillman. This non-fiction tale of a star football-player-turned-soldier gunned down by friendly fire in Afghanistan ripped me apart and made me re-evaluate how I live my life. A searing read I won’t forget anytime soon.

Funniest Person I Least Expected to Be: Brian Williams on 30 Rock. The veteran NBC Nightly News anchor made me laugh hard when he unexpectedly showed up on Rock, telling Tina Fey he wanted to audition for her show within the show by doing a stand-up act. The punchline wasn’t funny at all but Williams’s hammy, goombah delivery was very much so.

Favorite Movie Trend: Women 45 and over kicking ass at the box office. Sandra Bullock had two big hits (The Proposal, The Blind Side), Meryl Streep had three movies (Julie & Julia, The Fantastic Mr. Fox, It’s Complicated), one of which may win her a third Oscar. And Sigourney Weaver returns as sci-fi queen in Avatar. I hope this trend continues so I can stop watching actors get older while their female co-stars get closer to infancy every year.

Best Performance by Any Actor, Male or Female: Mo’Nique in Precious. Not so much a performance as a terrifying inhabitation of a nightmarish character.

Most Memorable Movie Quote: I just met you and I love you.” —Dug the talking dog in Up.

What were some of your favorite things this year?

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67th Annual Golden Globe Nominations

In case you haven’t seen them yet, here’s the full list. Film highlights (if a title is underlined, click on it to read my review):

Best Picture, Drama
Avatar
The Hurt Locker
Inglourious Basterds
Precious
Up in the Air

I haven’t seen Avatar but unless it’s awesome, I’m rooting for Up in the Air.

Best Picture, Musical/Comedy
500 Days of Summer
The Hangover
It’s Complicated
Julie & Julia
Nine

Haven’t seen The Hangover. So excited to see (500) Days in there! It’s a charming little film you need to rent when it comes out Dec. 22. As long as the winner isn’t Nine, I’m good.

Best Actor, Drama
Jeff Bridges, Crazy Heart
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Tobey Maguire, Brothers

Haven’t seen Invictus or Crazy Heart. Nice surprise to see Maguire nominated; he’s quite good in Brothers. I’d love to see Clooney take this, though.

Best Actress, Drama
Emily Blunt, The Young Victoria
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious

This category is a tough one; I like all these. I’d narrow it down to Blunt vs. Sidibe.

Best Actor, Musical/Comedy
Matt Damon, The Informant!
Daniel Day-Lewis, Nine
Robert Downey, Jr., Sherlock Holmes
Joseph Gordon-Levitt, 500 Days of Summer
Michael Stuhlbarg, A Serious Man

Another tough one to call. Might as well do eeny, meeny, miny, moe.

Best Actress, Musical/Comedy
Sandra Bullock, The Proposal
Marion Cotillard, Nine
Julia Roberts, Duplicity
Meryl Streep, It’s Complicated
Meryl Streep, Julie & Julia

Streep deserves it for Julia & Julia but if she cancels herself out, Cotillard should take it. I like Roberts and Duplicity just fine, but her inclusion here has got to be the biggest shocker.

Best Supporting Actor
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds

This one’s easy: Christoph Waltz.

Best Supporting Actress
Penelope Cruz, Nine
Vera Farmiga, Up in the Air
Anna Kendrick, Up in the Air
Mo’Nique, Precious
Julianne Moore, A Single Man

Another easy one: Mo’Nique all the way, baby!

Best Director
Kathryn Bigelow, The Hurt Locker
James Cameron, Avatar
Clint Eastwood, Invictus
Jason Reitman, Up in the Air
Quentin Tarantino, Inglourious Basterds

I’m on Team Reitman but Lee Daniels was robbed for Precious.

Best Screenplay
Neill Blomkamp & Terri Tatchell, District 9
Mark Boal, The Hurt Locker
Nancy Meyers, It’s Complicated
Quentin Tarantino, Inglourious Basterds
Jason Reitman & Sheldon Turner, Up in the Air

Rooting for Reitman & Turner. And wha…?! Precious snubbed again? No matter. I’m still certain it’ll be Oscar nominated in this category.

Best Score
Up
The Informant!
Avatar
A Single Man
Where the Wild Things Are

Michael Giacchino has had an amazing year and will win for Up (he also scores Lost, Fringe and Star Trek). Up‘s theme is the only one I can still hum and I saw it back in May.

Best Song
“Cinema Italiano,” Nine
“I Want to Come Home,” Everybody’s Fine
“I Will See You,” Avatar
“The Weary Kind,” Crazy Heart
“Winter,” Brothers

The prestige song here is “Winter,” by a socially conscious band about a serious subject (our military personnel). But I came out of Nine singing “Cinema Italiano,” and I didn’t even like the movie that much.

Best Animated Film
Cloudy With A Chance of Meatballs
Coraline
Fantastic Mr. Fox
The Princess & The Frog
Up

No contest: Up is tops in my book!

Best Foreign Language Film
Baria
Broken Embraces
The Maid
A Prophet
The White Ribbon

No clue here. Haven’t seen any of them. If I had to guess, I’d say Ribbon.

What did you think of the noms? Who are you rooting for? I think I’m most excited about Ricky Gervais as host!

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Movie Debate: THE BLIND SIDE

It’s the return of PCN vs. EE. Every once in a while, I post a Siskel & Ebert-style movie review instead of a traditional one when my occasional movie partner, Eric Edwards, disagrees with my take on something.

We recently attended a screening of Sandra Bullock’s upcoming movie, The Blind Side (opening Nov. 20), based on the true story of Michael Oher, an African-American teen with a mother addicted to crack  who bounced through the foster care system before he was taken in by a Memphis family, the Tuohys. He eventually went to college and became a star NFL player with the Baltimore Ravens.

After the screening, Eric and I had the following discussion.

Warner Bros./Ralph Nelson

PCN: What didn’t you like about it? It stars our girl, Sandra Bullock!

EE: Sandra Bullock is the best thing about it. Take her out of the movie and you’ve got something that should be a Lifetime movie of the week.

PCN: Yeah, but it does have Bullock and she elevates the material like she usually does. You can’t judge it on what it might have been.

EE: Okay, but you must admit the movie’s very safe. The stakes are never very high and no matter what Michael does, there are no repercussions. Also, we hear there are issues at school but we never get to see any of it. He may have had a rough past but once the family takes him in, everything works out and he’s beloved by everyone.

PCN: You’re right, the movie doesn’t break any new ground. But since there are supposedly only seven original ideas in Hollywood, I look at the execution. Bullock’s performance as Leigh Anne is quite engaging and there are some funny moments. The Proposal wasn’t an original concept, either, but Bullock made that watchable.

EE: But she only brings to life her role. She can’t carry the whole movie and whenever she’s not on screen, the movie drags.

THE BLIND SIDEPCN: I thought Quinton Aaron did a nice job as Michael. He’s got such sad eyes and a gentle soul, which make for an interesting contrast with his intimidating size. Aaron hasn’t done much film work but he kept up with Bullock.

EE: I think the director told him that less is more and that’s what he did. He let his eyes do most of the acting and he’s got great eyes.

PCN: The casting of Tim McGraw was curious. He turned in a good enough performance as Leigh Anne’s husband, but I was thinking, How come they had to get a country singer for this role? There weren’t any qualified actors who could have played that?

EE: I agree, and there’s no arc for that character at all. He’s pretty much written as one-note all the way through. The only justification I could think of for casting him is that it’s set in Memphis and he’s a country star.

PCN: Yeah, but this movie is opening nationwide, not just in Memphis.

EE: But country music is huge and maybe they’re going after those fans, to give the film any kind of advantage possible. I maintain, though, it’s not worthy of the big screen. It’s a nice family movie with very little drama and low stakes.

PCN: How about looking at is as a character study instead of a plot-driven piece? You didn’t find these people compelling?

EE: The problem is, the strongest character is Bullock’s, but the movie isn’t about her. It’s about Michael and he’s not that interesting.

PCN: He’s a kid from a really rough childhood who makes good in the NFL!

THE BLIND SIDE

Warner Bros./Ralph Nelson

EE: But we only get tiny glimpses of his childhood in flashback. It’s not enough to make me care. The story mostly deals with him living with the Tuohys, where it’s pretty much smooth sailing.

PCN: I know where you’re coming from; normally I’d be making the same arguments you are.  This time, though, I recognized the movie’s flaws but went with it anyway because I was rooting for Michael and thought the Tuohys were pretty cool for what they did. Maybe I just have a soft spot for true stories about kids overcoming adversity to achieve great things.

EE: It’s not a horrible movie but I’d still recommend waiting for the DVD.

Nerd verdicts—PCN: An enjoyable Side show, EE: Movie turns Blind eye to conflict

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Review: THE PROPOSAL

The poster is unexceptional and the trailer is generic so I had no grand expectations going into The Proposal. Anytime you see a studio romantic comedy, you pretty much know what you’re going to get: boy and girl hate each other until something happens that changes their feelings and there’s a last-minute rush to the airport to declare their love.

That’s all here, but this movie is enormously elevated by the impeccable comic timing of Sandra Bullock, still one of the most charming actresses around, even when her character is supposed to be a nightmare. She makes physical comedy look easy, including a nude mishap that I wish hadn’t been spoiled in the trailer because it’s horrifyingly funny.

Bullock’s character, Margaret Tate, is a high-powered New York City book editor who’s about to be deported to her native Canada so she blackmails her long-suffering assistant, Andrew (Ryan Reynolds), into a fake engagement. The couple then fly to Alaska to break the news to his family. They bicker until the Alaskan atmosphere ironically starts to thaw her ice-queen demeanor, they begin to see each other in a different light and…well, you know the rest.

more proposalBut what you may not know is that the movie also veers into some wonderfully odd territory, like a dog-snatching eagle and an Alaska resident who inexplicably seems to have every job in town. Extra credit must be given to Oscar Nunez, normally seen as the quietly frustrated accountant on The Office, who is a revelation (literally) in this movie. He did some brave things that made me cringe and gape at the same time. Reynolds, whom I usually find to be frat-boy bland, raises his game here to keep up with Bullock.

Director Anne Fletcher directs with a light touch, encouraging uninhibited behavior from her actors. Everyone seemed to have a good time making this movie and that sense of fun should spill over onto audiences as well.

Nerd verdict: An engaging Proposal

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