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Book Review: Walter Mosley’s THE LAST DAYS OF PTOLEMY GREY

Ptolemy Grey is a 91-year-old man living in a cluttered, squalid Los Angeles apartment, mostly forgotten by the world while forgetting his own past due to dementia. One day, Robyn, a 17-year-old orphan and family friend, comes over and starts cleaning up, sorting through the detritus and restoring order.  She also takes him to a doctor who’s looking for test subjects for an experimental drug treating dementia. The “Devil’s medicine” might kill Ptolemy but it might also recover his memory before he dies. Figuring he has lived long enough, Ptolemy trades whatever days he has left for the chance to remember what’s important to him and get his affairs in order. Once his memory returns, he realizes that includes seeking retribution for the murder of a family member.

Though it takes place in a brutal environment where people get gunned down and Ptolemy rarely leaves his apartment for fear of getting mugged, the novel is more a poignant examination of mortality and how one man is determined to face his end with dignity. Mosley is masterful in getting readers inside Ptolemy’s head, as jumbled as it is at first. Then, as his mind reawakens, we take a journey both painful and sweet through the landmarks of Ptolemy’s life, watching as he decides to take action to right some wrongs, to finally rid himself of regret about things he never did long ago.

Mosley also manages to slip in subtle statements about our current war, how news coverage confuses Ptolemy because he can’t figure out who the enemy is when he at least knew he was fighting Hitler as a soldier during WWII. Sometimes the outside world makes less sense than what’s going on in the old man’s head.

But the novel isn’t political. It’s a meditation on different kinds of love and how it can be found in unexpected places. Through Robyn, Ptolemy is able to find his way back to himself just as he’s ready to let go.

Nerd verdict: Bittersweet Days

Buy The Last Days of Ptolemy Grey from Amazon| B&N| Powell’s| IndieBound

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Movie Review: UNSTOPPABLE

I’ve been busy attending the AFI Festival this past week, where I got to see several Oscar-bait movies like The King’s Speech, Rabbit Hole and The Fighter. Quick reactions? Colin Firth, Christian Bale and Melissa Leo will most likely get nominations. Full reviews will come closer to the film’s respective release dates. For now, I’ll discuss Tony Scott’s Unstoppable, opening Friday, November 12.

This seems to be the season of movies based on true stories. The Fighter is about boxer “Irish” Micky Ward while King’s Speech details King George VI’s stuttering problem, 127 Hours is Aron Ralston’s story, Conviction is about Betty Anne Waters, The Social Network looks at Mark Zuckerberg, and Fair Game retells how Valerie Plame Wilson was outed as a CIA agent by the Bush administration. Unstoppable now joins the ranks, being inspired by the 2001 incident of a runaway train that traveled unmanned for 66 miles through Ohio before it was stopped by a lone trainmaster. (Read a detailed account here.)

In the movie, the crewless train is speeding towards Stanton, PA with toxic chemicals on board and no air brakes. Various dangerous attempts are made—and fail—to stop it so it’s up to Frank Barnes, a veteran railroad engineer (Denzel Washington), and Will Colson (Chris Pine), a rookie conductor on his first day at the job, to pull off one last desperate maneuver or die trying. And that’s pretty much the whole plot.

The movie has a few tense moments, solid acting and some good stunts but the loud unrelenting action eventually becomes redundant. Scott’s motivation seems to be, “Let’s see from how many different angles I can show you this train.” Shots of it coming straight at you are stunning at first but after a while I thought, “I get it—it’s a train.” If only Scott had invested as much time in the human characters’ backstories as he did on his camera techniques. The director’s reunion with Washington following last year’s The Taking of Pelham 1 2 3 adds to this movie’s sense of, ahem, deja vu. If you’ve seen any of the previous Scott-Washington collaborations (this is the fifth), you won’t find any surprises here.

Nerd verdict: Not a train wreck but does run out of steam

Photo: Robert Zuckerman

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Movie Review: MORNING GLORY

Morning Glory (opening Nov. 10) stars Rachel McAdams, Harrison Ford and Diane Keaton; was written by Aline Brosh McKenna, screenwriter of The Devil Wears Prada; and directed by Roger Michell, who helmed Venus and Notting Hill. One of the producers is J.J. Abrams. It’s a complete mystery to me, then, why a movie this full of talent can be so inferior.

McAdams stars as Becky Fuller, the super ambitious producer of a last-place morning talk show who’s determined to keep it from cancellation by hiring respected newsman Mike Pomeroy (Ford) to co-host with former beauty queen Colleen Peck (Keaton). Trouble is, the two can barely stand each other. Pomeroy doesn’t want to be there—the gig is a contractual obligation—while Colleen resents his arrogance. Becky pulls out all the stops for ratings, including putting her hapless weatherman through death-defying stunts so viewers can laugh at his screams. Meanwhile, another producer (Patrick Wilson) is mooning over her but Becky wonders if she can commit to the relationship and her job, especially since the cranky Pomeroy requires around-the-clock maintenance. It’s the veteran newsman, though, who finally teaches her a few lessons about life and love.

One of the most annoying things about this movie is how poor McAdams, an extremely charismatic actress, has to crank Becky’s neurotic, hyper energy up to eleven in every scene. She’s running, running, running everywhere and talks so fast, it’s exhausting to watch her. It doesn’t really make sense why she runs so much. Becky comes across as a type-A personality, someone who’s detail-oriented and organized, at least in her professional life. And yet the harried running implies she’s always late for appointments (including an important job interview), like a slacker who overslept or an assistant who forgot to fetch the coffee. Maybe the thinking was if McAdams just kept moving, no one would notice the plot holes.

The actress should be given credit, though, for still managing to infuse Becky with charm; it’s impossible to bear her ill will when she flashes her warm eyes and disarming smile. If this role had been played by, say, Katherine Heigl, I would’ve chugged Drano to end my misery.

Less successful than McAdams are Keaton and Ford as the bickering anchors, though it’s hardly their fault. Colleen isn’t developed enough as a character for viewers to care much about (though Keaton does look like she was enjoying herself) while Pomeroy seems to deserve his reputation as “the third worst person in the world.” Ford probably wanted a departure from his dramatic, heroic personas when he agreed to play a jerk in a comedy but ironically, he’s much funnier as Han Solo and Indiana Jones. Though I could sympathize with Pomeroy’s reason for disgruntlement and his disdain for “fluffy” segments after a long career in hard news, the character’s meanness sucked joy out of many scenes, and not in an amusing way like Miranda’s bitchiness in Prada. It’s a little meta that Ford seemed to be doing weighty dramatic acting while everyone else was putting on lighter fare.

Morning Glory doesn’t quite work as a romantic comedy, either. Wilson, a Tony-nominated actor, is reduced to little more than beefcake as Becky’s ultra-patient boyfriend. Their scenes feel contrived and we’re not sure why Adam took a liking to Becky in the first place; their initial encounter involves her having an embarrassing fangirl moment when she runs into Pomeroy in an elevator. In fact, McAdams has more chemistry with Ford, though in a strictly platonic way. We root more for Pomeroy and Becky’s relationship to work out because it has a better chance at making her happy in the long run.

Nerd verdict: Morning not so glorious

Photos: Paramount Pictures

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Winners of Joseph Wambaugh’s HOLLYWOOD HILLS

My three randomly selected winners are:

  1. Elizabeth Duncan
  2. Naomi Johnson
  3. karenk

Congratulations! Please hit the “contact” tab at the top of the page or the red envelope button in the sidebar to send me your address, which I’ll forward to Hachette. If I don’t hear from you by midnight PST Wednesday Nov. 10, alternate winner(s) will be chosen.

Thanks to all who entered. I have several exciting giveaways planned for the rest of the year so check back to see what goodies you can win!

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Movie Review: DUE DATE

Due Date left me flummoxed, much like how Robert Downey Jr.’s character, Peter, feels towards Zach Galifianakis’s Ethan in the movie. While I didn’t think it was a complete wreck, I did find it chaotic and not very funny, a small problem for a comedy. It’s more mature—if only slightly—than director and co-writer Todd Phillips’s previous endeavor, The Hangover, but that’s not saying much since I thought that movie was a laughter-free showcase of men behaving like morons.

Peter is an architect trying to make it home from a business trip to his pregnant wife (Michelle Monaghan) who’s about to give birth. After a couple of disruptive encounters with Ethan at the airport, the two end up on the no-fly list so the only option is to drive from Atlanta to Los Angeles together. They encounter all sorts of outrageousness along the way, mostly because of Ethan (surprise!), but in the end come to a better understanding of each other.

Wow, I got bored just now writing that synopsis. It sounds tired because it resembles the basic plot of all the road movies that have come before—much better ones. Though Galifianakis seems to be a favorite of Phillips’s, Date‘s one saving grace is undoubtedly Downey. His Peter is our link to sanity as we travel through the Crazytown in which Ethan lives. Without Downey’s grounding presence, I wouldn’t have been able to tolerate Ethan, who is imbecilic, annoying and strange for strange’s sake. Galifianakis is not a bad actor; he handles Ethan’s few quiet moments well. I’ve just never been amused by the actor’s schlubby shtick. The best comedy is rooted in reality, with an ounce of truth viewers can relate to, but Galifianakis’s characters might as well be aliens considering how weird they are. His act is predictable and he’ll be typed as a one-trick pony if he doesn’t re-invent himself soon.

Elsewhere, Monaghan doesn’t have much to do besides talking to Downey on the phone and Jamie Foxx shows up in a small role as Downey’s friend. Perhaps the movie would have been much more enjoyable if Phillips had given these charismatic actors more screen time instead of spending so much of it on Ethan’s antics.

Nerd verdict: Let’s hope there’s no second Date

Photo: Melinda Sue Gordon

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Tyrus Books: An Appreciation

One of the free books I received from Tyrus

In a time when the economy is weak and many businesses are tightening their belts, Ben LeRoy, publisher of Tyrus Books, has been going in the opposite direction. He’s been giving free books to anyone who asks. He’d pick an hour or two out of a random day and announce on Twitter (follow here if you don’t already) that he’d take requests during that time for anything from Tyrus’s catalogue of dark crime fiction. If he has copies available (finished books, not ARCs), he’ll send them to you for free. Yes, that’s plural because you can ask for more than one.

Why is LeRoy doing this? He asks for nothing in return, no reviews, no please-tell-your-friends-about-us, nothing. A recent tweet said, “Just read. That’s all I care about.” That moved me deeply and is why I felt the need to write this.

There were no libraries in Vietnam during my childhood. I remember how I’d walk to a nearby store that rented books by asking customers for a deposit. If patrons returned the book in good condition, the store would refund their money, minus a small rental fee.

This may sound fair except I was a small child with no money of my own. I’d try to barter with the store owner—can I leave my shoes as collateral? How about my school bag? The shop owner would laugh at me but there were few things I wouldn’t have swapped for the chance to read.

More than 30 years and 10,000 miles removed, that feeling hasn’t changed. So, for me to get free books from Tyrus with no questions asked and no strings attached? It’s like receiving…I’m not sure I have the right words. Insert gold, money, food, water, life—whatever’s most precious to you—and you’ll get the idea. I don’t understand such generosity but I don’t have to. I can just be thankful there are people like LeRoy keeping literacy alive while allowing that long-ago girl to keep her shoes.

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Book Giveaway: Joseph Wambaugh’s HOLLYWOOD HILLS

Little, Brown is releasing Joseph Wambaugh‘s Hollywood Hills on November 16 but generously letting me throw three copies out into the crowd now. This is the latest in the author’s Hollywood series which started with Hollywood Station and it features characters from the previous novels.

The product description:

The legendary Hollywood Hills are home to wealth, fame, and power–passing through the neighborhood, it’s hard not to get a little greedy.

LAPD veteran “Hollywood Nate” Weiss could take or leave the opulence, but he wouldn’t say no to onscreen fame. He may get his shot when he catches the appreciative eye of B-list director Rudy Ressler, and his troublemaking fiancée, Leona Brueger, the older-but-still-foxy widow of a processed-meat tycoon. Nate tries to elude her crafty seductions, but consents to keep an eye on their estate in the Hollywood Hills while they’re away.

Also minding the mansion is Raleigh Dibble, a hapless ex-con trying to put the past behind him. Raleigh is all too happy to be set up for the job–as butler-cum-watchdog–by Nigel Wickland, Leona’s impeccably dressed art dealer. What Raleigh doesn’t realize is that under the natty clothes and posh accent, Nigel has a nefarious plan: two paintings hanging on the mansion’s walls will guarantee them more money than they’ve ever seen.

Everyone’s dreams are just within reach–the only problem is, this is Hollywood. A circle of teenage burglars that the media has dubbed The Bling Ring has taken to pillaging the homes of Hollywood celebutants like Paris Hilton and Lindsay Lohan, and when a pair of drug-addled young copycats stumbles upon Nigel’s heist, that’s just the beginning of the disaster to come. Soon Hollywood Nate, surfer cops Flotsam and Jetsam, and the rest of the team at Hollywood Station have a deadly situation on their hands.

Hollywood Hills is a raucous and dangerous roller coaster ride that showcases Joseph Wambaugh in vintage form.

Want a copy? To enter, leave a comment telling me which Hollywood home you’d like to, ah, sneak into if you were a member of the Bling Ring. Me, I’d like to see the inside of Spielberg’s home because he might have cool memorabilia from his movies. If the Ark of the Covenant is just sitting around in the den, I’m taking it for sure.

To be eligible, you also have to:

  • be a subscriber or Twitter follower (tell me which)
  • have U.S./Canada address (no P.O. boxes)

Giveaway ends next Monday, Nov. 8, 5 p.m. PST. Winners will be randomly selected then announced here and on Twitter. I won’t be e-mailing you so please check back to see if you win. Alternate winner(s) will be chosen for any prize(s) not claimed within 48 hours.

Now, let’s hear your thieving hypotheticals!

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Movie Review: MEGAMIND

While DreamWorks’ Megamind (opening Nov. 5) is diverting enough, it breaks no new ground and doesn’t have the emotional resonance of Pixar movies. It’s more like a Chinese meal you enjoy but end up hungry again an hour later, perhaps even forgetting you had dinner at all.

Megamind’s origin story is similar to Superman’s in that his parents sent him to Earth when his planet was destroyed. But he wasn’t the only baby who escaped. The other infant’s ship landed in a rich couple’s home, where the boy received every advantage that comes with his class, while Megamind’s pod landed in a much more unsavory place, supposedly setting his course in life. He decides his only choice is to become the baddest supervillain ever.

His biggest obstacle? The other baby growing up to be Metro Man, an alpha male in every way and protector of Metro City. Metro Man thwarts Megamind’s most dastardly deeds until one day, he can’t anymore, causing Megamind to have identity issues. What good is a supervillain when there’s no superhero to stop him? He gets a chance to find his true purpose when another bad guy shows up to wreak havoc on Metro City. Will Megamind stop him or join forces with him?

The movie has good things to say about how we judge people and free will vs. destiny. As a kid, the giant-blue-headed Megamind always got picked last for dodgeball and he grows up thinking a life of crime is his only option after an unfortunate childhood. Ferrell does decent voice work, knowing when to turn on the frenzy and when to keep it quieter, but the movie’s casting is too obvious. Need a brainy, dry-witted brunette? Tina Fey, of course! A hunky guy who has it all? Who else but Brad Pitt? A nerd who can’t get the girl? Hey, let’s get Jonah Hill! Wouldn’t it have been more interesting to have Pitt play nerdy and Hill be heroic? In animation, where actors are unencumbered by their physical appearance, they should be able to play anything but Megamind seems content with making easy choices. In contrast, I wouldn’t have thought of Tom Hanks first to play a cowboy or Tim Allen to voice an astronaut.

While I’m comparing, I might as well mention that Megamind works fine as surface entertainment but I saw a missed opportunity for it to move viewers on a deeper level the way Pixar movies can. Megamind struggles with his image and outsider status, themes most of us can relate to, but the filmmakers merely do a gloss job on these matters. It’s okay to strive to only entertain, but playing it safe keeps the movie decidedly earthbound instead of blasting its appeal into infinity and beyond.

Nerd verdict: Megamind makes small impact

Photo of Tina Fey by Michael Murphree

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Movie Title Challenge

Someone started a meme on Twitter today which challenges people to come up with funny movie titles by adding “in my pants” to the end of existing titles. I know many of you don’t tweet so I thought I’d post it here and maybe we could have a few laughs on Monday morning.

Here are some of my examples:

  • I Know What You Did Last Summer In My Pants
  • It’s Complicated In My Pants
  • It Happened One Night In My Pants
  • Swingers In My Pants
  • All the Right Moves In My Pants
  • Something’s Gotta Give In My Pants
  • You, Again In My Pants
  • No Country for Old Men In My Pants

To make it a little more creative, I avoided titles with obvious words like “balls” (e.g. Balls of Fury) or “hard” (e.g. Hard Target) in them. Yes, this is decidedly a low-brow game but if something involves pantalones activity, I’m in. You? Let’s see what you can whip up in your pants!

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My First Halloween

My nephew Max on his first Halloween

Among the kids who come trick or treating at my door every year, I always see a handful of adorable babies in dog or lion costumes experiencing their first Halloween, something they’ll have no memory of years from now. But I remember my first Halloween because I was eight years old when I was introduced to this interesting American tradition.

My family and I had been in this country for about five months when one day in late October, one of our sponsors, Mrs. Morrison, came over to tell us about this fun thing we kids were going to do on the last day of the month. The way I understood it, we had to pretend to be a scary character, dress up in costumes and walk around asking strangers for candy.  I liked free candy just fine but didn’t know begging for food was encouraged here in America. I thought we had left Vietnam so we wouldn’t have to do things like that.

Mrs. Morrison finished her briefing and asked if we had any questions.

“Can we ask for rice?” I asked.

“Ah, no.”

“Meat?” my brother asked.

“Candy only,” Mrs. Morrison said.

I had one more. “You do trick for candy?” Though I wasn’t sure what it meant, I’d heard it was bad to “turn tricks,” especially on the street.

Mrs. Morrison laughed. “Don’t worry. No one ever has to do any tricks.  People will just give you candy because that’s the point.”

I still felt uncertain about this weird thing we were being talked into but next thing I knew, we were all hustled into Mrs. Morrison’s car to go shopping for costumes at K-Mart. Once there, we just stood and stared, overwhelmed by all the crazy-looking choices.

Mrs. Morrison started making suggestions to my brother. “How about a pirate?”

“No. They bad to boat people,” he said.

“Oh, okay,” Mrs. Morrison said.  “Then let’s pick out something else for you.” She led him over to a different area.  “How about a skeleton?” She held out a black outfit with the white outline of a skeleton on it.

“No skeleton,” my brother said.

“Too scary?”

“No.  My uncle in Viet Nam skinny like that.”

“Oh.” Poor Mrs. Morrison. She had no idea selecting Halloween costumes could be such a landmine. Next to the skeleton outfit was a set of fatigues labeled as a G.I. Joe costume.  “You probably wouldn’t want that one, either. Let’s move on.”

“Wait.” My brother hesitated, his eyes on the camouflage. He pulled out the costume, considered it for a moment. Then, “I want this.”

“Are you sure? You want to be a soldier?”

“Yes. They help my family,” my brother said.  End of discussion.

“All right, then.  I’m glad you’ve found something you like,” Mrs. Morrison says.  She turned to my sister.  “Are you all set?”

My sister was holding up a pink gown and tiara. “I’m a princess.” Of course she was.

I was the only one left. I looked around at the options, not really sparking to anything. I didn’t want to be a cat; the costume looked scratchy. A witch? The mask had a giant nose bigger than my face. An angel? I wasn’t.

And then I saw it. A fake plastic face with blond hair attached, peeking out at me from behind giant mouse ears.

“I want to be Miss America.”

The previous month, I’d seen the pageant for the first time. The singing announcer man said the women were the most beautiful in the country. Many of them were blond and blue-eyed, had big hair and bigger teeth, long arms and legs. I could never be Miss America, even if I drank lots of milk. Except here was my chance.

The costume came with a royal blue gown, sash, and a full mask depicting a pretty blond woman flashing dazzling Chiclet teeth. I slipped it over my face and my entire Asian-ness disappeared. I sighed. For one night, I could be a beauty queen.

“This one, please,” I said. I wanted to keep the pretty face on as we left the store.

But the next evening, as I walked down the street in my polyester gown and plastic mask, I found it hard to breathe. The mask kept fogging up and I couldn’t see properly through the eye holes. Worse, every time someone opened the door and said, “Oh, look how pretty you are!” I felt like a fake. How do you say thank you for a compliment you didn’t really earn?

So, I took off the mask and shook out my sweaty flat mask hair. I stood for a moment on the sidewalk, just breathing in the night air. I looked down at the gown. It was too long and the hem was dragging on the ground. I slipped out of that, too. (Luckily, I had on a tee and pajama pants underneath.) Then I said to my brother and sister, “OK, I’m ready to move on.”

At the next house, when the door opened, I gave the lady the biggest smile I had. She asked, “Who are you supposed to be?” Just me, I answered. As Mrs. Morrison said, I didn’t have to worry about tricking anyone.

Happy Halloween, everyone. What’s one of your favorite Halloween memories?

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Book Review: Dennis Lehane’s MOONLIGHT MILE

Two years ago, Dennis Lehane said in this Entertainment Weekly article that it was unlikely he’d write another whodunit and was pretty much done with Patrick Kenzie, one of the protagonists in the author’s popular PI series about a pair of Boston detectives. He says, ”My publishers, they’ve been clear if I ever wrote one, they’d back a truckful of money onto my driveway, but I don’t want to be the guy who goes back to the well just so I could buy another house.”

So, when I heard that Lehane’s next novel, Moonlight Mile (William Morrow, Nov. 2), is indeed about Patrick and his partner Angie Gennaro, I was partly elated as a fan of the series and partly skeptical, thinking, “Maybe the publishers sent in TWO trucks of money?”

I needn’t have worried—Moonlight is no sellout novel for a vacation home in Bora Bora. It’s a strong addition to the series, dealing with the aftermath of events in Gone, Baby, Gone. Twelve years after Patrick and Angie went looking for four-year-old Amanda McCready in that earlier novel, her aunt Bea is back saying Amanda has disappeared again. According to her teachers’ testimonials, Amanda is a stellar student on her way to a full scholarship to an Ivy League school and a bright future far from the miserable existence she has endured with her worthless mom, Helene. The consensus is Amanda wouldn’t run away with so much at stake. The situation is further complicated when Russian thugs enter the picture and Bea discovers that Amanda might be trying to assume a false identity.

Having found Amanda once before, Patrick goes looking for her again, faced with subtle accusations from others—Angie, included—that he could’ve helped Amanda avoid this whole mess if he hadn’t done what he did twelve years ago.

Lehane once again proves he writes the kind of crime fiction that explores societal mores as well as any literary novel can, and with wit and snappy pacing to boot. He said in that EW article that he was losing interest in writing whodunits because he was tiring of “whipping out the kitchen sink just to obscure s—, like the identity of the serial killer or whatever.” Well, this book isn’t about hidden identities (though there are some fake ones). Lehane is more interested in examining the conundrum of how one can do the right thing and still be wrong, how there aren’t easy answers to impossible situations. As Patrick explains to someone, “I know damn well I don’t want to live in a world where people can just pluck a child out of a family they deem bad and raise a stolen child as they see fit.” In defense of his actions regarding Amanda twelve years ago, “It was a case of situational ethics versus societal ones, I guess. I took society’s side.”

Patrick’s position is even more understandable considering he has a family now. He and Angie are married with a four-year-old daughter (the same age as Amanda when she originally went missing) and worrying about things like health benefits and job security. Angie is working towards a master’s in sociology while Patrick questions the toll his work has exacted from his conscience, wondering if he’s doing more harm than good. When he shows a woman a picture of Amanda and asks if she’s seen her, he’s shocked by the vitriol the woman spews in response:

You asked a simple question lately or made an innocuous aside and suddenly you were the recipient of a howl of loss and fury. We no longer understood how we’d gotten here. We couldn’t grasp what had happened to us. We woke up one day and all the street signs had been stolen, all the navigation systems had shorted out. The car had no gas, the living room had no furniture, the imprint in the bed beside us had been smoothed over.

But Patrick and Angie’s world isn’t all melancholia. They still have a sexy banter, their dealings with their daughter are amusing, and Lehane leaves them in a hopeful place, a temporary refuge from the darkness, a hard-earned life that may be imperfect but not without its sweetness.

Nerd verdict: Sharp, beautiful Moonlight

Buy Moonlight Mile from Amazon| B&N| Powell’s| IndieBound

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Movie Review: 127 HOURS + Notes from Q&A with Filmmakers

It’s been about 72 hours since I’ve seen Danny Boyle’s 127 Hours (opening Nov. 5) and I can’t stop thinking about it. You know how some experiences stay with you? This movie has clung to me the way Aron Ralston clung to life while stuck deep in a crevice in Utah’s Blue John Canyon.

Adapted from his autobiography Between a Rock and a Hard Place, Hours recounts the 5+ days in 2003 that Ralston, an experienced canyoneer, spent alone and trapped after falling and having his right arm pinned by a boulder. Not having told anyone where he was going, Ralston (James Franco) knew it was up to him whether he lived or died there. He eventually freed himself by doing something most people probably wouldn’t have the physical or mental strength to do. It sounds grueling—and it is—but Franco, director Danny Boyle and his production team have managed to make an incredibly moving and uplifting film about it all.

Let’s start with Franco. Holding the audience’s attention in every frame of a feature film all by himself has a difficulty level of at least 9.85 but the actor pulls it off with aplomb. He’s charming, raw, and even funny as he tracks Ralston through frustration, delirium, and Hell-no-I-won’t-die-here determination, giving life and energy to what are essentially monologues (well-written by Simon Beaufoy). Though Franco has delivered award-winning performances before in Milk and the James Dean TV movie, his work here should take the already busy actor’s career to new heights.

The movie’s impact is also helped along by striking cinematography from Anthony Dod Mantle and Enrique Chediak. The blue skies, brown earth, Ralston’s red T-shirt with a bright yellow sunflower combine to create vibrant tableaux. Even as Ralston is stuck in what could’ve been his death trap, he caresses the rocks around him and reaches his leg towards sunlight, heartbreaking gestures of appreciation for the undeniable beauty around him. At one point, there’s a long continuous shot that starts in the narrow trench with Ralston and slowly pulls out to a wide aerial view of the canyons that’s breathtaking.

And then there’s Boyle. Working with several of his Oscar-winning team members from Slumdog Millionnaire, the director has, in his own words (see more below), made “an action movie where the hero can’t move.” The movie begins with the kind of kinetic energy we saw in the street scenes in Slumdog, full of speed and movement. Ralston is shown as an adrenaline junkie, never stopping in one place for long, until nature, the thing he loves most, stops him cold and forces him to re-evaluate his path in life. The movie’s momentum could have come to a crashing halt at this point but Boyle found a way for us to continue on Ralston’s journey by taking us into Ralston’s mind as he reminisces about the people he loves most. I didn’t realize how deeply entrenched I was with Ralston in that canyon until the moment help finally comes after he climbs out and encounters other hikers. I wept, hard, shaking with tears of relief for several long minutes, exhaling and realizing my heart had been in my throat.

I imagine that those of you familiar with the story will want to know how graphic those scenes are depicting what Ralston did to survive. I couldn’t watch but did observe the reactions of the people around me. Judging by that and the sound effects, the scenes are quite disturbing. But they don’t last long and shouldn’t deter you from seeing this amazing film.

Nerd verdict: Tense, gripping Hours

I attended a screening sponsored by Variety which had Boyle, screenwriter Beaufoy and producer Christian Colson doing Q&A afterward. Some highlights from the discussion:

  • Boyle first approached Ralston in 2006 about doing the film but Ralston had wanted to make it as a documentary back then.
  • Once Ralston came on board, he shared with Boyle the videotapes he made in the canyon for loved ones when he thought he would never see them again. Boyle thought they’d be hard to watch but was amazed by how dignified and lacking in self pity the messages were.
  • Because the story is mostly internal monologue, Beaufoy didn’t think it could be adapted into a movie. Boyle figured out how to make it cinematic through the video clips Ralston makes and his memories, when he talks to his family back home.
  • Ralston is extremely detailed. When the filmmakers sent him a 60-page script, he sent back 70-page notes.
  • Ralston genuinely believes the accident was a blessing because it made him stop and re-think his life.
  • Shooting was done in the canyon where the accident happened, with close-ups done on a set in a warehouse in Utah.
  • The first test screening was done in New Jersey, where the audience stood up, pumped their arms in the air and yelled “YES!” at the end. This mitigated the painful experience for Ralston, who was watching it for the first time.

Photos: Chuck Zlotnick

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