Warning: Use of undefined constant WP_DEBUG - assumed 'WP_DEBUG' (this will throw an Error in a future version of PHP) in /home/popcultu/public_html/wp-config.php on line 77
Pop Culture Nerd – Page 62 – Pop Culture Nerd
All Posts By

Pop Culture Nerd

Peter Graves 1926-2010

One of my very first memories of TV was when I was about 5, living in Saigon. My family would gather around the tube and watch Mission: Impossible. The struck match and that pounding Lalo Schifrin score burned themselves into my brain as surely as that tape would self-destruct after 5 seconds every week.

I couldn’t understand a word of English then but loved Peter Graves as Jim Phelps—that authoritative voice and those crinkly eyes represented a reassuring solidity during chaotic times. I knew that no matter what, Phelps would lead his team out of trouble.

About a decade later, after I’d moved to the States and could speak English, Graves gave me stomach cramps from laughing at his portrayal of Captain Clarence Oveur in Airplane!, asking those inappropriate questions of little Joey in the cockpit. “Joey, have you ever seen a grown man naked?” and “Do you ever hang around a gymnasium?” (See highlights reel below.) I was delighted to see my childhood idol have such a terrific sense of humor.

So news of his passing on Sunday, just four days short of his 84th birthday, brought great sadness. But I choose to remember the laughs he gave me, and silently thank him for making a girl believe that the big mission she was about to embark on would not be an impossible one.

Share

Book Buffet

The other day, I was looking at my humongous stack of books, thinking, “Wish I had more time to read all those” when lo and behold, my TV broke. Ha! With no American Idol or Cougar Town to distract me, I tore through six books in quick succession, including the following four March releases.

The Last Child by John Hart (Minotaur, paperback edition, available now)

Thirteen-year-old Johnny Merrimon’s twin sister Alyssa disappeared a year ago while going home from school but he refuses to give up looking for her. He’s more convinced than ever that she’s alive after he witnesses a murder in which a dying stranger tells him, “I’ve found her.” His relentless search jackknifes him across the paths of sex offenders and other dangerous people with desperate reasons for keeping the truth from coming out.

Edgar-nominated for Best Novel this year, Child has a chilling timeliness considering the Jaycee Dugard and Chelsea King cases, though it was obviously written before those incidents. The prose can be overly descriptive at times but Johnny is a character who stays with you. He’s a child living a nightmare even his parents can’t seem to bear, forced to be an adult before his time, losing faith in God along the way but never in his family. The way he takes care of his incapacitated, grief-stricken mom; longs for his father to come home; and keeps a suitcase of Alyssa’s favorite things ready for when she returns is heartbreaking in its defiant conviction.

Hart tackles so many themes—redemption, faith, loyalty, forgiveness—and Johnny goes through so much in this book that it’s difficult to summarize his arc here. Suffice it to say that in the end, to paraphrase the Stones, he may not get exactly what he wants but finds he gets what he needs. Nerd verdict: A Child that’s hard to forget.

Buy The Last Child from Amazon
Buy from IndieBound

The Spellmans Strike Again by Lisa Lutz (Simon & Schuster, March 16)

After the darkness of Child, I reached for the new Spellman installment to lighten things up. Lisa Lutz didn’t disappoint. In her fourth novel about the wacky P.I. family from San Francisco, Izzy has taken over the business from her parents but her personal life is still one big puzzle. She’s juggling cases involving a missing butler and a screenwriter’s trash while being blackmailed by her mother into going on dates with men her mother thinks are good for her. There’s also her mission to take down her slimy nemesis in the P.I. business, Rick Harkey, and her unrequited feelings towards her cop friend, Henry Stone.

The cases are beside the point here. There’s no horrific violence, great tragedy or high body count; you read these books for the quirky characters. If you’re thinking, “But quirky can be annoying!” let me tell you that Lutz knows how to keep her characters on the right side of Crazytown. When one character does cross the line and goes too far, Lutz slaps hard and apt punishment on that person.

Several ongoing subplots get resolved in this book, some very satisfyingly, one realistically, and one sadly. There’s a sense that things, while not yet perfect, are finally falling into place for the Spellmans. Perhaps that’s why many publications, including Publishers Weekly, are reporting this is the last installment in the series. But in a goodreads discussion, Lutz said: “What I can say right now is that there won’t be another Spellman book in March, 2011. I’ve been working on other projects. However, I think I will probably do at least one more Spellman book after that.” Nerd verdict: Strikes the right note.

Buy The Spellmans Strike Again from Amazon
Buy from IndieBound

Caught by Harlan Coben (Dutton, March 23)

Wendy Tynes is a TV journalist who specializes in taking down sexual predators. When her latest story, targeting a social worker named Dan Mercer whom many swear is honorable, causes violent consequences, Tynes wonders if she helped excoriate an innocent man.

She also discovers a disturbing pattern of people with past ties to Mercer being publicly disgraced within a short amount of time, all involving evidence which seems to appear suddenly out of nowhere. Throw in a missing teenaged girl, a disappearing dead body, a mysterious character who hides in shadows, a vigilante parent of a molested boy and you’ve got the usual Coben tale that makes you stay up late and leave your chores undone.

This feels like a deeply personal novel for the author. A father of four, Coben writes about different types of family dynamics—a young widow raising a teenaged boy, a seemingly perfect family who may not be quite so, extended families with friendly ex-spouses—and kinds of situations I imagine keeps him up at night as a parent.

Like Hart, Coben covers themes like forgiveness, faith, and redemption, as well as the timely issue of what unemployment does to one’s identity and dignity. There might be too many plotlines here, though; several endings are required to wrap up everything, one of them hinging on a discovery that Tynes should’ve made much earlier in the book. But it moves at breakneck pace, has poignant moments plus a Win cameo, and will leave you with lots to think about. Nerd verdict: You’ll get caught up in Caught.

Buy Caught from Amazon
Buy from IndieBound

Known to Evil by Walter Mosley (Riverhead, March 23)

Up until recently, I’d never read Mosley. Boy, did I feel foolish when I finally cracked one open. I read last year’s The Long Fall and this follow-up back to back, swooning at the writing, envying how he makes it look so easy.

Now that Easy Rawlins is retired, Leonid McGill is Mosley’s new hero, a black man with a Russian-Irish name, a New York City private eye who’s trying “to go from crooked to slightly bent.” When one of his underground contacts asks him to watch over a young woman to make sure she’s safe, Leonid finds she’s gone into hiding and deadly assassins are after her for reasons unknown. Meantime, his two sons have also gone missing, getting into some trouble of their own.

Mosley’s writing has such a rhythm to it that I often read aloud to fully appreciate it. I can hear and see the city in his mean, lean descriptions, leavened by a healthy dose of humor. Witness the following passage about a day he took his family to Coney Island:

Two redneck Brooklynites got it in their heads that a beautiful white woman like Katrina could do better than a fat little black man. All three kids were with us…

The two guys had a brief span of time in which to retreat. I stood up, walked over to them, and time was up.

Leonid is a singularly complex character, a man who can’t bear to leave his loveless marriage for the woman he loves because his wife has asked him to forgive her infidelity (only one of their three children is actually his). It’s as if he’s doing penance for his own past actions; if she doesn’t deserve forgiveness, then neither does he.

I must say I was in love with the book until the last five pages or so, when the big bad person is revealed. The motivation behind all the killings is so illogical based on previous information that I had a hard time accepting it. Hit men were hired, multiple people died, and for what now? Come again? The explanation felt rushed, like a cop-out. Despite that (and this is rare for me because I have low tolerance for lame endings), I’d still recommend this book (and read future ones in the series) because the other 99.5% of it is so enjoyable. Nerd verdict: Weak ending, but still a lot of good in Evil.

Buy Known to Evil from Amazon
Buy from IndieBound

Do any of these strike your fancy? What other March releases are you looking forward to? What do you have on deck for this weekend?

Disclosure: If you click on any of the “buy” links here and actually purchase these or any other books, I’ll get a tiny commission that might eventually accumulate enough for me to buy a cup of coffee. I’m already overly caffeinated, you say? Then I’ll put the money towards maintaining this website. Thanks.

Share

Nerdies for Best & Worst of 82nd Annual Academy Awards

Mark Boal, Kathryn Bigelow, Greg Shapiro. Photo by Jason Merritt/Getty Images

Oh, man, I didn’t do so well this year in my predictions. Usually, I miss only 2-4 categories but this year I tanked by getting 7 wrong (17 right). I thought Avatar would win more technical awards but The Hurt Locker demolished it in the sound categories, too.

I assume you already know that Hurt Locker, Jeff Bridges, Sandra Bullock, Christoph Waltz, and Kathryn Bigelow won the big awards. (For the rest of the winners, click here.) So I’m only going to discuss the moments which stood out for me for reasons both good and bad.

Most Confusing Guest? Host?: Neil Patrick Harris opening the show with a musical number. I like him and he’s a talented singer but he was neither Alec Baldwin nor Steve Martin. It felt odd that he was auditioning to be host of next year‘s telecast while this year’s was just beginning.

Kevin Winter/Getty Images

Best Agency Dis: Baldwin. At the beginning of the show, he said, “In Precious, Gabourey Sidibe is told she’s worthless, nobody likes her, that she has no future. Hey, I’m with CAA, too!”

Least Prudent Interruption: Elinor Burkett, producer of documentary short winner Music by Prudence, Kanye’d director Roger Ross Williams’s acceptance speech by hijacking the mike and talking over him, complaining that women never get to talk. Her rudeness and anger were ironic since the film is supposed to be uplifting. (Salon.com has the story behind the incident here.)

Funniest “Horror” Clip: Martin and Baldwin’s Paranormal Activity spoof, which shows Martin bitch-slapping Baldwin in his sleep, causing Baldwin to fall out of bed.

Most Welcome Close-Up: During the animated sequence featuring the nominees for best animated feature, Up‘s talking dog, Dug, went right up to the camera and licked it before saying, “This is not food.” I love Dug and his big, squirrel-sniffing nose!

Understatement of the Year: Julianne Moore. Regarding filming A Single Man, she said, “Three days is not nearly enough time to spend in the company of the magnificent Colin Firth.” Truer words were not spoken.

Kevin Winter/Getty Images

Best Nerd Representative: Sam Worthington. He whipped out thick black frames to read the teleprompter while presenting best score nominees. Holla! Sully (and the upcoming Perseus) is a cute myopic nerd!

Rudest Omissions from Memorial Tribute: Where were Farrah Fawcett and Bea Arthur?

Most People Thanked in Least Boring Speech: Sandra Bullock. Somehow, she managed to thank her fellow nominees, the Twohys, her husband, her late mother, all mothers, and her “lover Meryl Streep” while gettiing laughs and reducing her tough-guy spouse to tears.

Kevin Winter/Getty Images

Best “I So Deserve This” Award: Sandy Powell for best costume. She was decked out in a striking dress with impeccable accessories, right down to her sequined beret. If you saw her walking down the street like that carrying an Oscar, you’d know instantly what category she won.

Strangest Pop & Lock(er) Sequence: For The Hurt Locker‘s nominated score, dancers performed a pop and lock dance routine. How does that represent soldiers deactivating bombs?

Wrongest Place for a Stripper Pole: In the middle of the dance number to Up‘s nominated score, a pair of dancers cavorted around a pole that looked like one from a strip club. I can’t even think about Carl and Ellie in those terms.

Kevin Winter/Getty

Best New Contender for President: Kathryn Bigelow. Can we get her to run in 2012, please? Her arms alone could crush bin Laden’s head like a grape. The woman kicks butt 9 kinds of ways and looks like one of Wonder Woman’s Amazon sisters from Paradise Island.

Which moments were memorable for you? Did you like Baldwin and Martin as hosts? How’d you do in your Oscar pool? Make sure you check out my fashion slideshow here!

Share

Nerdy Oscar Predictions 2010

I know, I know, everyone’s doing Oscar predictions so what makes mine special, right? Well, I didn’t say they were, but I slogged through all the 10 best picture nominees (the Coens are going to PAY for Serious Man) so I’ll be darned if I don’t have my say. And last year I only got 2 or 3 wrong, though admittedly I guessed wildly when it came to the shorts.

So, here are who I think will win and who it should be:

Best Picture: Will win—Avatar, should win—Up in the Air, which has waaayy better story and acting. I hated Avatar and fell asleep three times.

Best Actor: Will win—Jeff Bridges, should win—George Clooney. The Dude is cool and has always done solid work, but this is not supposed to be a career award. Clooney’s performance was more layered and difficult than he made it look.

Best Actress: Will and should—Meryl Streep. Few years ago, everyone thought Julie Christie would win for Away from Her because she swept all pre-Oscar awards. But I chose Marion Cotillard’s performance in La Vie en Rose because the latter was clearly superior when you compared the two and Cotillard ended up prevailing. So I’m gonna trust that Academy voters watched their screeners and saw that Streep is the obvious winner here.

Best Supporting Actor: Will and should—Christoph Waltz. This is a done deal, an indisputably stunning performance.

Best Supporting Actress: Will and should—Mo’Nique. No argument here, either. Same reason as above.

Best Director: Will win—Kathryn Bigelow. Should—Jason Reitman. I’ll be fine with Bigelow’s win because she kicks ass but Reitman made the better, more emotionally resonant movie.

Best Original Screenplay: Will win—The Hurt Locker. Should win—Up. Carl, Russell, Ellie, and company were complex, fully drawn characters, while Hurt‘s script didn’t explain why James was such a war junkie. He had no character arc and remained unchanged from beginning to end.

Best Animated Feature: Will and should—Up. I am so broken-recordy right now.

Best Foreign Language Film: Will and should win—The Secret in Their Eyes. I like crime dramas.

Best Adapted Screenplay: Will and should—Up in the Air.

Best Score: Will and should—Up. The only score I can still hum.

Best Song: Will win—“The Weary Kind” from Crazy Heart. Should win—who the hell knows? I don’t know any of the other songs except “Take It All,” which was performed amazingly well by Marion Cotillard in Nine but I can’t really remember it.

Best Visual Effects: Will and should—Avatar. Boring movie but it sure was pretty.

Best Art Direction: Will and should—Avatar. See above reason.

Best Cinematography: Will win—Avatar. Should win—The White Ribbon. It was shot on color film and converted into black and white. The result is stunning and atmospheric.

Best Makeup: Will and should—Star Trek. Eric Bana was almost unrecognizable.

Best Costume: Will and should—Young Victoria. Historical costume dramas featuring royal subjects often take this category.

Best Editing: Will and should—The Hurt Locker. The tight editing had me holding my breath at times.

Best Sound Editing: Will win—Avatar. Should win—The Hurt Locker. The silent moments were just as tense and effective as when the explosions went off.

Best Sound Mixing: Will and should win—Avatar. Whatever. I’m bored with this category.

Best Documentary Feature: Will win—The Cove. Should? I don’t know and am not even going to pretend I’ve seen or heard of the others. Which leads me to wild guesses for the remaining categories…

Best Documentary Short: The Last Truck sounds topical.

Best Animated Short: A Matter of Loaf and Death. The title’s clever, and it’s a Wallace & Gromit adventure! Nick Park has already won four Oscars for previous W&G shorts; no reason to stop now.

Best Live Action Short: The New Tenants. Why not?

I’ll also predict that Penelope Cruz will wear something stunning, some audience members will give Jeff Bridges a standing ovation when he wins, and Alec Baldwin will be funnier than Steve Martin as co-host.

Now, it’s your turn. Who do you think will and should win? How much money do you have riding on this?

Share

Top 10 Actors Robbed of Oscar Nominations

Last year, during Oscars week, I wrote about 10 performances I felt were robbed of an Academy Award. This year, I put together a list of actors who didn’t even get nominated despite turning in powerful performances. There are way more than 10 (as I’m sure you’ll point out) but here are the most notable ones for me from the last 20 years, starting with the most recent.

  1. Mélanie Laurent in Inglourious Basterds (2009). I’m glad the movie is getting some Oscar love, but how can the Academy ignore Laurent’s defiant, seething performance which finally erupts in an inferno of rage? The restaurant scene where her Shosanna eats strudel with Christoph Waltz’s Colonel Landa is heart-stoppingly suspenseful. She manages to appear cool while showing the terror and revulsion just below the surface.
  2. Michael Sheen in Frost/Nixon (2008). Frank Langella may have had the Goliathan role as the former president, but Sheen’s work as David was just as skillful. Half of acting is interacting and, in a movie mainly consisting of two guys in a verbal duel, Langella could not have turned in his Oscar-nominated performance without Sheen as his sparring partner. Sheen didn’t just display the guts and ambition of a man taking on an impossible task, he showed us the insecurity and vulnerability behind the Cheshire grin and slick TV-host veneer.
  3. Ahmad Khan Mahmoodzada in The Kite Runner (2007). This child actor, who played young Hassan, took a dagger and plunged it straight into my heart with his performance. Then he twisted it around a couple times for good measure. He did it with the expressive brown eyes and smile he was determined to keep on his face through all the unspeakable things inflicted on him. I wanted to beat up the bullies who hurt him, scream at all those who failed him, hug him ’til my arms ache, and just give him a big beautiful kite of his own to fly.
  4. Phyllis Somerville in Little Children (2006). In last year’s post, I decried the fact the Academy didn’t give the Oscar to Jackie Earle Haley for this movie. This year, I’m gonna talk about his mama. In lesser hands, I could’ve thought, “Lady, stop protecting your creepy-ass child-molesting son!” But no. Somerville made me believe that her fierce love for him was not only plausible but a natural thing. I mean, wouldn’t all mothers go to such lengths to defend their children, no matter how hideous?
  5. Sharon Warren in Ray (2004). Here’s another overlooked mama. As in Somerville’s case, the actor playing Warren’s son—that would be Jamie Foxx as Ray Charles—got all the attention while Warren was neglected. If voters go back and watch that scene where little Ray falls down and pleads for help while his mama, wanting her son to pick himself up, just stands across the room and watches while her heart is clearly breaking, I think they’d apologize and cough up a nomination for her.
  6. Michael Peña in Crash (2004). In a movie crammed with big stars, Peña stood out as the locksmith who remains steady and true despite all the racism he endures. The most tender scenes in the movie are ones in which he tells bedtime stories to his young daughter about the invisible cloak which would protect her from harm. When it looks like she might need that protection, Peña’s character unleashes his emotions in a scene so raw it momentarily stopped my breath.
  7. Emma Thompson in Love Actually (2003). There are many talented stars and memorable moments in this movie, too, but I’ll just mention one scene and you’ll nod your head vigorously in agreement that Thompson deserved a nomination for it. Remember when she’s so sure her Christmas gift from her husband (Alan Rickman) would be an expensive necklace because she’d seen him buy one? As she opens the box and finds it’s only a Joni Mitchell CD, we the viewers feel the full impact of his betrayal but she restrains from showing her devastation until she goes into their bedroom and cries alone. Then she smoothes down their bed cover and goes back out to be Smiley Mom to their kids. She may have pulled herself together but I was still crying after that scene was over.
  8. Andy Serkis in the Lord of the Rings trilogy (2001-2003). The Academy loved these movies, granting the third one all 11 trophies for which it was nominated. One of them should’ve been for Serkis as Gollum. Yes, the creature was CGI but Serkis provided the voice, facial expressions and motion capture work. He brought a fantasy character to life, made it indelibly real and more complex than some of its human co-stars.
  9. Alison Elliott in The Spitfire Grill (1996). Never heard of this movie? Rent it immediately. Elliott’s performance as Percy, a girl who moves to a small town to start over after getting out of prison, is full of emotional colors: humble and proud, broken and hopeful, tough and vulnerable, and ultimately heartrending. Elliott was nominated the following year for Wings of the Dove, but that performance, as fine as it is, doesn’t even touch her master stroke in Grill.
  10. Sean Penn in Carlito’s Way (1993). Yeah, yeah, he went on to win two Oscars but it’s still unfathomable to me that Penn wasn’t even nominated for his work as Carlito’s slimebag, coked-up lawyer in this movie. His transformation left him so unrecognizable—with the red ‘fro, receding hairline and glasses—I kept thinking, “I thought Sean Penn was in this movie” while watching it.

OK, so that’s my 10. Now it’s your turn to tell me about all the performances I should’ve included on this list!

Share

Keeping Her Head in THE CRAZIES

It’s Friday—has your week driven you mad? Well, a friend of mine, actress Christie Lynn Smith, knows all about crazy. She’s here to discuss her latest movie, The Crazies, which opens today.

In the remake of George A. Romero’s 1973 film, Christie plays Deardra Farnum, a farmer’s wife living in an idyllic town where people suddenly start going violently insane.

For more info on Christie, visit her website and check out her busload of credits here. Meanwhile, enjoy our nerd chat about her experience shooting the movie.

Pop Culture Nerd: Did you practice running around screaming in your underwear before you started production?

Christie Lynn Smith: Not in my underwear, but there were some heavy rehearsals on the day of shooting. I think I lost my voice…it sounded very deep and sexy afterwards—haha.

PCN: This isn’t your first horror movie…

CLS: I did a horror film in 2007 called The Cursed; it just aired on the SyFy Channel. I had a cameo role and open the film with a few intense scenes with my daughter. It doesn’t end very well. And a few years back I did a short film called The Last Stop Cafe where I played a serial killer on the run!

PCN: You are a freak! I’m not sitting next to you at Thanksgiving this year because you’ll have access to knives. After you’ve done a few scary movies, are you more likely to watch them?

CLS: I tend to not be able to go to sleep if I watch them too late! I have to be careful—my imagination can play tricks on me.

PCN: You shot this in an isolated town, away from your husband and baby. Ever get creeped out alone at night in your hotel room?

CLS: I flew out of town twice to shoot in Perry, Georgia and then once to an isolated town in Iowa. I never got spooked, just missed my honey and baby.

PCN: What was it like on set? Did people stay in character, or were there pranks to lighten things up?

CLS: It was awesome working on this film! I loved the director, Breck Eisner, and the producers. Breck knew what he wanted and was very clear and gave great direction. No pranks but the mood was fun for sure.

PCN: What was your favorite action scene/stunt?

CLS: There is this scene were I am standing in front of a combine and the blades were going full speed and the sound was deafening! That was cool and a little freaky. They were, like, “Be careful—if this grabs your robe, you will basically be slashed to death.” Yikes! And I had to run and run and run all night one night—that was exhausting but I am a warrior. Bring it on, baby!

PCN: Um, I hope they had good life insurance on the film. In an episode of Bones, your recurring character, Caroline Epps, was decapitated and you got to keep your fake head. Any interesting souvenirs from The Crazies?

CLS: For your readers, here’s me and my head that was found in the freezer on Bones. I have the plaster version in my backyard. We take it out at Halloween to scare kids. Just kidding! [Ed. note: Forget the kids. I almost choked on my hot dog when I saw her head lying in her backyard.]

No souvenirs from the film yet. I did get a hat that says “The Crazies—Let’s Do It in Iowa” because that’s where most of the film was shot. And I hope to get a poster!

PCN: I’m a scaredy cat. I get nightmares after watching Teletubbies. Can someone like me handle this movie?

CLS: Yes, you can handle it. It has a thriller quality to it but with a human element. I did scream and jump a few times but I laughed, too. And I did not have bad dreams [after seeing it]!

Share

Susan Jane Gilman’s Hell in HEAVEN

Photo by Francois Bourru

It’s with pleasure that I welcome author Susan Jane Gilman to Pop Culture Nerd today to discuss her memoir, Undress Me in the Temple of Heaven, recently released in paperback. It’s the tale of Susan’s adventures with her friend Claire in China upon graduating from Brown in 1986. The two had wanted to go on their own Homerian odyssey around the world but soon, the hardships and isolation in China began to fray their nerves, culminating in a series of alarming events which support the notion that truth is stranger than fiction.

I love to travel, sometimes to non-touristy places, but don’t think I’d ever have the courage to do it the way Susan and Claire did, backpacking and hosteling, not knowing the local language. Susan explains their gutsy choice below.

The People’s Republic of China was the catalyst for almost everything that occurred in Undress Me in the Temple of Heaven. It was such an alien place—and so cut-off from the rest of the world—that it amplified every challenge we had as travelers.

In 1986, there were no direct flights from the USA to the People’s Republic, no direct-dial overseas phone lines, and very little television coverage or news reporting out of China. (Perhaps the only country somewhat comparable to this today is North Korea.) And although we made the trip just a couple of decades ago, this was truly a different technological age—no Internet or cell phones. So once we arrived, we felt massively isolated and vulnerable, as if we’d been set adrift at the far end of the universe.

And this universe was often rough-going. Much of China was filthy and underdeveloped. The air was filled with coal dust and the streets glistened with phlegm, which meant we got sick a lot. Tourist facilities were rudimentary. For two sheltered Americans, the constant roaches, outhouses, and ice-water showers were wildly unsettling. Oh, we’d been so pampered! To be sure, the poverty and squalor also made the beauty of China-–-and the incredible kindness of so many of the people—that much more remarkable. It forced me to toughen up and appreciate more of what I had, but for some reason, this process never comes easy. Why is it more second-nature to bitch than to appreciate?

On top of all this, of course, we couldn’t speak or read Mandarin, so the world around us was literally indecipherable. Street signs, menus, even train tickets—we couldn’t understand them! And so, every little conundrum easily escalated into a crisis.

Added to this was my own inherent fearfulness, plus what turned out to be my friend Claire’s precarious mental state. These were exacerbated by the hardships of China and we quickly spiraled out of control.

Had we begun our journey in Europe, we would’ve no doubt still experienced some culture shock and homesickness, but our level of helplessness would’ve been a lot lower. It would’ve been easier to cope, communicate, and navigate. We might not have been able to escape our own demons, but they wouldn’t have had such fertile ground in which to take root.

Starting our trip in, say, London or Paris would’ve been a matter of traveling “the Road More Taken.” Certainly, it would’ve been a hell of a lot easier. Yet, I’d also have come away with a lot less wisdom, humor, and character—and a lot less of a story to tell.

Many thanks to Susan for stopping by today. For more info, visit her website and listen to an excerpt here.

Have you ever traveled to a place which left you feeling completely isolated? Are you the adventurous type or more the my-hotel-has-to-be-four-stars-and-right-next-to-the-Eiffel-Tower kind of tourist?

Share

One Cool DRINK

Reading a good book is always a pleasure, but there’s something extra exciting about discovering a new author and his smashing debut, a PWA winner for Best First Private Eye Novel. Thomas Kaufman‘s Drink the Tea is a witty, fast-paced mystery that made me hope, only a few pages in, that it’ll be turned into a series.

Willis Gidney is an orphan who spent his childhood in and out of foster homes, becoming an expert at stealing and lying, heading for a life of crime until he gets taken in by Captain Shadrack Davies of the D.C. Police. The experience changes him, not completely, but enough so that he grows up to be a smart-ass D.C. private eye.

An old acquaintance, jazz musician Steps Jackson, asks Gidney to find his daughter, Bobbie, the result of a one-night stand twenty-five years ago. Supposed to be a straightforward missing persons case but right away, thugs show up to rough up Gidney, people start dying, and Gidney realizes he’s stumbled upon something which might involve a powerful corporation and a corrupt congressman.

The story jumps back and forth between the present case and Gidney’s time in foster care, slowly doling out what happened between Gidney and Davies during their short stint together. Gidney has a quick wit, but we find it was born as survival instinct. We get to witness Gidney’s evolution from problem child to a man trying to do the right thing, if sometimes reluctantly.

Kaufman, an Emmy-winning cinematographer who’s shot shows like The FBI Files and The New Detectives, brings his eye for detail to his writing and excels in showing instead of telling. He describes a picture of a boy in a high-school yearbook thusly:

His interests included biology, chemistry, debate. He looked apologetic, as though his violin lesson had run over and he’d shown up late to chess club.

Kaufman didn’t need to write “nerd”; the description couldn’t be clearer. And instead of using variations on the word “big,” the author writes that an internet cafe “had an espresso bar the size of Congress but with less hot air,” and about “a pair of shoes that would have won me free tuition to Clown School.”

Gidney’s background and sensibilities make him part Elvis Cole, Robert Crais’s wisecracking P.I. who was an old youngster once; and Harry Bosch, Michael Connelly’s foster-care-raised detective whose biggest mystery is his own lineage. Since those two are top of my list of favorite series characters, Gidney is in lofty company indeed.

Nerd verdict: Drink this

Share

Events I’d Like to See in the Olympics

Like the rest of the world, I’ve been watching and enjoying the Winter Olympics in Vancouver. I must admit, though, that I don’t get some of the sports. Curling? The Biathlon, which involves shooting & skiing because you might want to do some hunting while going down the bunny slope?

I started thinking about activities which would really impress me if someone can complete quickly and came up with the following:

  • Getting through airport security when you’re behind people with lace-up shoes and babies
  • Totaling receipts for tax itemizations
  • Driving 2 miles on the 405 freeway on a Friday at 5 p.m.
  • Getting through to a live agent when calling the DMV
  • Putting together an IKEA computer station
  • Opening the vacuum-packed plastic packages electronics & toys come in

What alternative events would you like to see?

Share

Shut-Eye ISLAND

Saying this might make me seem insane, but Martin Scorsese’s Shutter Island bored me silly. Having loved Dennis Lehane’s novel of the same name (read my review here), I thought I’d at least enjoy the movie, maybe not as much as the book, since that rarely happens. Last thing I expected was to be sitting in the dark, rolling my eyeballs back and nodding off as if I’d been given too much Thorazine.

In 1954, U.S. Marshals Teddy Daniels and Chuck Aule are summoned to Ashecliffe, an institution for the criminally insane on an island off Boston Habor, to locate a missing patient, Rachel Solando. The woman seemingly escaped without shoes (island terrain is rocky) or anyone seeing her, from a room locked from the outside. The staff’s and marshals’ search efforts are hampered by a hurricane which shuts down the island’s electrical system, allowing all 66 violent offenders to run wild. But wait. Solando left behind a note implying there’s a 67th patient. Who is this mysterious person whose existence everyone denies?

And that’s just one of the island’s mysteries. Daniels and Aule soon wonder if the doctors at Ashecliffe are really treating their patients or doing illegal experiments on them. Daniels also has his own agenda for being there: He’s searching for his wife’s killer, Andrew Laeddis. The plot has more twists and turns than an Olympics slalom, culminating in a twist which may or may not shock you, depending on whether or not you read the book or are an especially astute viewer.

The cast is very good here. The intense DiCaprio and laid-back Ruffalo balance each other nicely; Ben Kingsley plays Dr. Cawley with a cool presence which keeps you guessing about his true intentions; Jackie Earle Haley, Emily Mortimer and Patricia Clarkson turn in notable performances as patients. (Michelle Williams, as Daniels’s deceased wife, doesn’t have much to do until the end.)

But the actors are failed by the movie’s sedate pacing. With this kind of (literally) crazy plot, the thriller should be more, well, thrilling. Instead, lots of long expositional scenes and dream sequences slow down the momentum, and characters meant to be creepy become less so when they linger on screen for too long talking too much.

Scorsese also heightens every scene with a lot of DRAMA: the hammering Bernard Herrmann-esque score, the artsy slo-mo and overly saturated colors in the dream sequences, twisty camera angles, lots of water imagery. It’s like announcing Creepy Scene Alert! at every turn, which takes away any surprise that might lie around the corner.

One might argue there are no surprises for people who have read the book. All I can say is, I also knew what would happen in Scorsese’s last movie, The Departed (having seen the original Hong Kong version Infernal Affairs), and still found it to be quite suspenseful. The director should have trusted his source material here; a leaner, less heavy-handed approach would have allowed the story’s creepiness to crawl under our skin.

Nerd verdict: More wreck than treasure on this Island

All photos © Paramount Pictures/Andrew Cooper

Share

AMERICAN IDOL Season 9: Meet the Top 24 (Spoilers)

FOX unveiled their other 24 tonight (the kind without Jack Bauer) and there were few surprises. Starting next week, when American Idol goes live, the following will be vying for your votes:

GIRLS

  1. Didi Benami
  2. Katelyn Epperly
  3. Janelle Wheeler
  4. Ashley Rodriguez
  5. Lacey Brown
  6. Crystal Bowersox
  7. Lilly Scott
  8. Michelle Delamor
  9. Siobhan Magnus
  10. Haeley Vaughn
  11. Katie Stevens
  12. Paige Miles

GUYS

  1. Michael Lynche *
  2. Casey James
  3. Todrick Hall
  4. Lee Dewyze
  5. Joe Muñoz
  6. Alex Lambert
  7. Tim Urban **
  8. Jermaine Sellers
  9. Tyler Grady
  10. Aaron Kelly
  11. John Park
  12. Andrew Garcia

* Some websites are reporting that Mike Lynche was replaced after his father confirmed to a newspaper back in January that Lynche had made the top 24, violating a confidentiality agreement (click here to read People.com’s article). FOX hasn’t made an official announcement.

** A replacement for Chris Golightly, who was disqualified after making the top 24. Read more about it here.

It’s way too early to predict but I think Bowersox, Garcia, Benami, Stevens and Dewyze are the ones to watch. Since the real competition starts next week, time to start learning their names!

What did you think of this bunch? Is there an Adam Lambert in there? Who’s being eliminated first next week?

Share