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Book Review: BLUE MONDAY by Nicci French

This review originally ran in Shelf Awareness for Readers, and is reprinted here with permission.

Nicci French’s Blue Monday is the first novel in a new suspense series featuring Frieda Klein, an insomniac London psychologist who does her best thinking while taking long walks through city streets at night. She has a lot on her mind, including a patient named Alan Dekker who tells her he desperately wants a child—right before five-year-old Matthew Farraday goes missing from a local school. Alan wants a son who looks like him, with red hair and freckles—attributes Matthew happens to have.

Frieda takes her suspicions to the lead inspector in the case, and together they uncover perplexing similarities to the unsolved disappearance of a little girl twenty-two years earlier. How much truth is contained in Alan’s desires and dreams? Should Frieda betray her patient to try to bring Matthew home?

Frieda makes a couple of leaps in reasoning that require suspension of disbelief, but the inner workings of the mind are mysterious, so anything is possible. The authors (“Nicci French” is a pseudonym for husband and wife Sean French and Nicci Gerrard) write in a cool, understated style befitting a protagonist who keeps her emotions at bay, and it works well for the story. Their restraint is helpful; the reader doesn’t need all the horrific details of a child in jeopardy spelled out. But the story still manages to resonate, especially in its depictions of the families of the abducted children—the lack of closure tears them apart to the point their souls go missing, too. The dark ending also delivers a gut punch, taking Blue Monday a shade closer to black.

Nerd verdict: Mesmerizing Monday

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Book Review: BLEED FOR ME by Michael Robotham

The novel begins with a diary entry by a girl named Sienna about how she cuts herself because “when i bleed i feel calm and clear-headed. it’s like the poison inside me is dripping out. even when i’ve stopped bleeding, i finger the cuts lovingly. i kiss them goodnight.” As if that’s not disturbing enough, we find out the girl is only fourteen. And one day she shows up at her best friend Charlie’s house covered in blood. But it’s not her own—it belongs to her father, a former cop who lies dead back at their house. The police suspect Sienna of murder, and she claims she can’t remember what happened.

Charlie’s father, Joseph O’Loughlin, is a psychologist who tries to help Sienna through the trauma. As he probes into her mind and life, however, he discovers more horrors than answers. Despite his failing marriage and worsening Parkinson’s disease, O’Laughlin becomes determined to protect Sienna from the evils that threaten to destroy her and the community he lives in.

Normally I don’t like a lot of descriptive prose, which can slow the pace, especially in a thriller. But Robotham has such a facility with language that I found myself savoring every word and taking copious notes of my favorite lines. He’s even good at describing the weather:

Outside in the weak sunshine, looking across the hospital grounds, I watch a mower creating verdant strips of green on the turf, light green and dark green. A curtain of rain is hanging above the horizon as though unsure whether to spoil the day.

Here, he paints a less-than-desirable neighborhood:

There are hookers walking up and down Fishponds Road: women who are women and men who are women and crackheads who will be anything you want.

A flash of humor found in a bathroom:

Someone has scrawled a message in marker pen above the urinal: “Express Lane: five beers or less.”

But the author is best at depicting his characters, especially O’Loughlin, a flawed, complex, and immensely sympathetic creation. His estranged wife sums him up when she tells him, “You’re like an archaeologist piecing together his own remains, finding bits and pieces but nothing whole.” We root for him because he keeps trying to come close to happy and whole anyway, knowing his limitations. His Parkinson’s makes him unique as a series protagonist (this book is number four) but it’s neither the focus of his life nor a random trait just to make him quirky. At one point, the affliction makes his body fail at such a harrowing moment that my heart almost failed as well. In my reading experiences, I sometimes have to choose between novels that are strong in either plot, language, or characters. Unlike O’Loughlin with his bits and pieces, I found something wholly satisfying here.

Nerd verdict: Bloody good Bleed

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On the Road with Hilary Davidson

Award-winning author Hilary Davidson‘s second crime novel, The Next One to Fall, was released on Valentine’s Day to ecstatic reviews, such as the one from Publishers Weekly, which said, “Davidson’s exciting follow-up to her debut, 2010’s The Damage Done, takes travel journalist Lily Moore, who’s still reeling from her sister’s death in The Damage Done, to Peru…The rich history and geography of Peru add depth to an engrossing mystery that constantly keeps the reader guessing.” The book also received glowing notices from Jen’s Book Thoughts, The Maine Suspect, and Book Reviews by Elizabeth White, among many other publications.

Hilary has begun her World Domination Tour to promote it, and since she’s also a travel writer, I thought I’d ask her to do a travelogue. The idea was for me to text/tweet her at random times, asking her where she is, who she’s with, what she’s doing, etc., and have her take a candid snapshot at that moment to capture her experiences on the road. Not only did Hilary allow me to intrude upon her travels this way, she took the initiative and snapped photos for me even when I couldn’t reach her in pockets with bad cell/Internet reception.

Hilary’s back on the road today, with an event at Book Revue in Long Island, so I thought this would be a good time to present a glimpse of her life on tour. (Note: All times are local to Hilary’s locations.)

Hilary Davidson: When I checked into Houston’s Hotel ZaZa at midnight on Thursday night, there was some confusion. My first room was a themed room, known as the “Hard Times” room; this skull was on the wall. A few minutes after I got there, the front desk called up and said they had to move me; the people at the front desk were deeply upset at the thought of me being stuck in this room. I told them I was a crime writer, but they insisted on moving me to a swanky room with…

HD: George Clooney on the bathroom wall??? I liked the skull better, actually.

Pop Culture Nerd (Friday, Feb. 17, 2:42 p.m.): Hi Hilary, where are you right now?

HD: Grey Houston, pounded by rain. Wondering if anyone will show up at the event tonight!

PCN: I’m betting they’ll show. Everyone showing up wet will just make your signing more fun!

As I predicted, people did come, and Hilary had a surreal moment when she saw herself on Crimespree magazine’s cover for the first time at Murder by the Book.

Next up on Saturday was…

HD: BookPeople in Austin. Um, wow.

Then it’s on to…

HD: Austin’s Broken Spoke on Saturday night after my event, listening to a band called The Derailers.

It’s on to Scottsdale, AZ, but first…

HD: I love Ray Benson of Asleep at the Wheel—and here he is at the Austin airport!

PCN (Tues., Feb. 21, 3:38 p.m.): Where are you? What are you doing? Where were you last night at 11 p.m.?

HD: Right now I’m working on a Peru slideshow for the Poisoned Pen (yes, for tonight—eeep). Last night at 11? In my room, on phone with Dan! [This is] my suite at Scottsdale’s Hotel Valley Ho.

PCN (Tues., Feb. 21, 9:16 p.m.): Where are you? Anyone you know show up at your signing?

HD (Tues., Feb. 21, 11:02 p.m.): Hey, I’m back! Tonight was AWESOME. Lots of friends turned out: Keith Rawson, Jason Duke, Lesa Holstine, Chantelle Aimee Osman, also my gluten-free friend Liisa Perry. Also huge crowd of strangers. Store had to get more chairs! Afterwards, Liisa & I went for dinner at a restaurant called Citizen Public House (that’s why I didn’t see your message until now). Oh, Rhys Bowen was there tonight, too! Very excited to meet her!

With Patrick, Keith, and Jason

PCN (Weds., Feb. 22, 9:09 a.m.): What are you eating/drinking/reading right now?

HD: Right now I’m packing because I have to check out of the hotel before my event at Lesa Holstine’s library!

PCN (Weds., Feb. 22, 1:22 p.m.): What are you doing to prepare for your appearance? [Her event was starting in about half an hour.]

HC: Hmm. I drove to the library with Lesa (I love her!). Does that count as event prep? Seriously, what do authors do to prep for an event?

PCN: Different things I’ve heard: have a drink, nap, go for a run/to the gym, put clothes on.

HD: Had dinner at the Hotel Valley Ho’s restaurant just before my flight home. “Table for one, please,” is never fun to say, but I had a great meal and the restaurant staff was terrific. Looking forward to going back!

Thank you so much, Hilary, for sharing your travels with us, and letting me bug you along the way. Readers, I hope you all have enjoyed being on the road with her. She’s doing it so she can meet you in person so check out Hilary’s upcoming events and go see her!

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Book Review: NIGHT ROUNDS by Helene Tursten

Despite the title and the fact much of this novel concerns nocturnal activities, I wouldn’t recommend reading Helene Tursten’s Night Rounds (Soho Crime, Feb. 14) at night if you’re afraid of ghosts. As I went along, I wasn’t sure if I was imagining noises and things in the dark, just like the characters do in the book. Or do they?

One night the power goes out at an old rundown hospital in Göteborg, Sweden. During the blackout, a surgical patient dies when the machinery stops working, a nurse is found murdered, and another goes missing. A witness is adamant that she saw the murderer—a former employee named Nurse Tekla. Problem is, Nurse Tekla has been dead for sixty years, though legend has her haunting the hospital because she committed suicide there. Is there a ghost on the grounds? What does it have to do with the very real bodies that start piling up? Detective Inspector Irene Huss returns in this series’ second installment to investigate, and discovers that the recent killings are somehow connected to the hospital’s troubled history. And while most things aren’t as they seem, the truth could also be exactly what you think it is.

The novel was translated from its original Swedish version by Laura A. Wideburg, and contains some of the odd syntax I’ve come to expect from translations of Scandinavian mysteries. But this doesn’t detract too much from a solid police procedural with an undercurrent of creepiness. DI Huss, a third dan black belt in jujitsu and married mother of two teen girls, is an appealing character who keeps her head in tense situations, and makes witty observations about herself and the people she encounters in her investigation.

For example, she meets a witness who has a sallow complexion and a penchant for beige clothing. As they turn toward automatic doors to enter a building, “Irene imagined that the sensor wouldn’t react to such a colorless woman and the doors wouldn’t open.” After meeting the gorgeous young wife of the hospital’s head doctor, Irene briefly considers getting a facelift before deciding it’s “[n]ot a good look for a criminal inspector. You probably shouldn’t go around with a face that said, ‘Really? You don’t say!’ every time you visit the scene of a crime or bring a suspect in for questioning.”

Tursten also issues harsh words against government systems that allow mentally ill homeless people to fall through the cracks, she exposes the misogynism that exists on the police force, and condemns zealots who resort to violence to support a cause (veganism, in this case). The Scandinavian crime novels I’ve read often seem to include this kind of social commentary, which gets woven into the plot in such a way that doesn’t make it feel too didactic. Bottom line, this is an engrossing whodunit that kept me up late into the night, leaving a chill on my skin as if touched by a ghost.

Nerd verdict: Night chills

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Book Review: DEFENDING JACOB by William Landay

I originally reviewed this for Shelf Awareness. It’s reprinted here with permission.

When Assistant D.A. Andy Barber gets a case involving a murdered boy who’s a classmate of his son’s, there are gripes about conflict of interest. Then evidence points to Andy’s son, Jacob, being the murderer, and the D.A. takes Andy off the case. He finds himself on the defensive side of the law trying to prove Jacob’s innocence. But the more he investigates, the more he realizes there’s a lot about his son he doesn’t know, including whether or not Jacob is capable of murder.

This novel is a combination legal and psychological thriller, and keeps readers guessing about what happened to the murdered boy and the true nature of Jacob’s psyche. But the central characters are hard to root for. Jacob remains an enigma, seen differently through Andy’s eyes and those of his mother, Laurie. Andy believes his son cannot commit murder, going so far as to destroy potential evidence. Laurie, however, immediately questions whether she and Andy had been good parents, if Jacob had needed help that they never provided. These may be realistic reactions, but they make Laurie somewhat hard to like, as if she’s being disloyal to her son by assuming the worst so quickly.

Landay’s overall style could use some editing—he repeatedly mentions Laurie’s weight loss during the ordeal, and takes half a page to describe idyllic beach scenes on a resort’s website. And the so-called shock ending was somewhat spoiled by promotional materials comparing this to a very well-known legal thriller (if you’ve read it, you can guess the twist here). But the story does have its merits, raising questions about how well we know those we love, and how far we would go to protect them, even from themselves.

Nerd verdict: Overly written, but has its merits

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TAKEN by Robert Crais: Q&A and Giveaway

Happy Lunar New Year to those who celebrate it! Today is the beginning of the Year of the Dragon, which sounds like it should be my year but it’s not. I’m actually Year of the Goat, an animal that has facial hair and gets eaten.

Photo: Greg Gorman

But speaking of happy and new, Robert Crais‘s latest novel, Taken, drops tomorrow (Jan. 24, Putnam), and I have a Q&A with him today. The novel moved me so deeply, I almost can’t talk about it for fear of diluting the feeling. So I’ll just say a few words and force encourage you to experience it for yourself.

Taken has the usual action as Elvis Cole and Joe Pike go up against deadly human traffickers, but it’s also a story about love, friendship, compassion, and chasing your dreams. There’s a scene that defines how Joe feels about Elvis, expressed in the only way Joe knows how—wordlessly. It’s breathtaking for both its simplicity and depth of feeling, and one day, when someone compiles a list of iconic scenes in private eye novels that best exemplify the relationship between a detective and his partner, this moment must be on top. It makes you wish you had friends like them; it makes you wish you could be like them.

I’m thrilled to have Robert in the PCN house, answering questions about the different ways he’s been taken (stop snickering) and sharing his personal photos. Afterward, stick around for a little giveaway.

Pop Culture Nerd: What’s the best trip you’ve ever taken (physical or chemical)?

Robert Crais: Prowling through bear country on Admiralty Island, Alaska, and through the East Kootenay Rockies in Canada at 9000 feet before the snow melts. Dangerous, primitive, natural, beautiful. I enjoy physical outdoorsy things like mud runs, scuba diving, and the adventures I have doing research, but the isolation and purity of rugged wilderness areas like inner Admiralty and the East Kootenays call to my heart. If it’s easy to get there, I don’t want to go.

90 feet down in the Gulf of Mexico

With his team, doing the Camp Pendleton Mud Run

PCN: Where’s the weirdest place you’ve been taken for research?

RC: A whorehouse in Mississippi.

No whores here, just doing research with the ATF

PCN: Huh. I noticed you didn’t send over photos of that. Speaking of which, favorite picture you’ve taken?

RC: Sunrise breaking over Los Angeles while the city sleeps.

PCN: Biggest risk ever taken?

RC: Writing L.A. Requiem.

PCN: What do you most fear will be taken from you?

RC: My mental faculties.

PCN: Best advice ever taken?

RC: Write what you love.

PCN: Biggest misTaken assumption about you?

RC: What do people assume?

PCN: I’ll ask them. Last Q—what do you hope will be taken away from Taken?

RC: That people find it exciting, gripping, moving, and truthful.

Thank you, Robert, for answering my questions. Readers, it’s your turn to be Taken. For more info, go to his website or peruse his tour dates on Facebook.

But first, I have a little giveaway. I’m giving away five Elvis Cole Detective Agency business cards with a slogan that comes straight from the novel. I won’t ruin it by showing or saying what it is. If you win one and don’t like spoilers, make sure you read the book before I send it to you!

I printed these cards myself and they are in no way official, but they will be signed by Robert. To enter, leave a comment below answering his question of what you assume about him. Be creative—the more wrong the assumption, the better!

Winners will be chosen randomly via random.org. Giveaway is open to everyone, and will end this Sunday, Jan. 29, 5 p.m. PST.

UPDATE: Winners have been announced, and the card looks like this.

Buy Taken from Amazon| From an indie bookstore

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Reading Challenge for January

I never sign up for reading challenges because I’m pretty sure I will fail. Not that I’m afraid of failing (you should’ve seen me bowling last week!), but it stresses me out trying to keep up. And I want my reading to be enjoyable, not stressful.

That said, I thought I’d set a challenge for myself this month, since I know my habits and can set the bar as low as I’d like. I simply want to finish the January releases already in my TBR stack. Here’s what I’m looking at:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  1. Lunatics by Dave Barry by Alan Zweibel
  2. The Jaguar by T. Jefferson Parker
  3. All I Did Was Shoot My Man by Walter Mosley
  4. The Chalk Girl by Carol O’Connell
  5. City of the Lost by Stephen Blackmoore
  6. Start Shooting by Charlie Newton
  7. The Rook by Daniel O’Malley
  8. The Whisperer by Donato Carrisi
  9. The Invisible Ones by Stef Penney

That looks like a reasonable list, don’t you think? Just nine books, two a week and three one week. Oh, wait, I have to squeeze in a couple of February titles for Shelf Awareness—Lisa Gardner’s Catch Me and Erin Kelly’s The Dark Rose—since reviews are due a month in advance. And there are some December titles I want to finish: Taylor Stevens’s The Innocent, Colin Cotterrill’s Slash and Burn, and DC Brod’s Getting Lucky. Plus, I received The Hunger Games for Christmas since my friend Lauren got fed up with my saying I still haven’t read it. AAACKK! I’m stressed out already! Whose idea was this??

Do you have reading goals this month/year? What’s at the top of your TBR stack?

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Favorite Books and Movies of 2011

I haven’t dropped off the face of the earth, just traveling still and wrapping up my magical, mystery tour. During the past two weeks, I’ve often been uncertain of what day it was, but I’m pretty sure today is the last in 2011 so I thought I’d write about some favorite books and movies I experienced this year. I’m lurking in the parking lot outside a Dunkin’ Donuts stealing its Wi-Fi so hopefully I can do this quickly. Click on links to read my reviews.

Favorite revival of a classic character: The House of Silk by Anthony Horowitz. The author perfectly captured Dr. Watson’s narrative voice, and provided not one but two clever mysteries that could only be solved by the inimitable Sherlock Holmes.

Favorite Scandinavian crime novel: The Keeper of Lost Causes by Jussi Adler-Olsen. I read some excellent ones, including Lars Kepler’s The Hypnotist and Lene Kaaberbol & Agnete Friis’s The Boy in the Suitcase, but Keeper has the edge because of the engaging crime-solving duo of Carl Morck and his assistant, Assad, and the humor Adler-Olsen injects into a grim story.

Book that caused me to lose most water weight: Alice Bliss by Laura Harrington. The story of a fifteen-year-old coping with her father going away to war made me weep copiously, while also making me laugh in parts and swoon over the beauty of its prose.

Craziest adventures: Duane Swierczynski’s Fun & Games and Hell & Gone. You don’t just read these novels—the first two in the Charlie Hardie trilogy—you experience them in a visceral way, the whole time thinking, “What the hell?” and “More!” Luckily, there is more coming in March—the final installment, Point & Shoot.

Favorite thriller that made me invest in Purell: Brett Battles’ Sick. Technically, life as we know it hasn’t ended yet, but it will if Daniel Ash and his colleagues can’t stop some seriously screwed-up people. No one is safe in this story, not even children, which ratchets up the tension. Full disclosure: I was a Beta reader and copyedited it, but the novel was already pretty kick-ass when it came to me.

Favorite dystopian zombie sexy hybrid: Sophie Littlefield’s Aftertime. I read neither dystopian nor zombie novels, but this one, about a mother searching for her child in a world after something terrible happened, moved me and scared me. It also has a really hot sex scene that you probably shouldn’t read in front of your parents or a priest.

Most entertaining true stories: Tina Fey’s Bossypants. I don’t read memoirs, either, but devoured this thing in about one sitting because it’s hilarious and insightful. If she writes another book on the correct method of flossing, I’d read that, too.

Favorite overall movie: The Artist. It made me happy and the smile lingers weeks later. This ties in with the next award for…

Best supporting animal: Uggie from The Artist. He had strong competition from the horses who played Joey in War Horse and Snowy in The Adventures of Tintin, but Uggie did all the acting and stunts himself, while three horses shared duty as Joey and Snowy isn’t real.

Most surprisingly good rom-com: Crazy, Stupid, Love. Romantic comedies are hard to pull off and usually end up being corny, but this one is actually romantic and funny, thanks to Steve Carell, Emma Stone, Julianne Moore, and Ryan Gosling. Gosling’s abs should’ve also received top billing.

Most jaw-dropping stunts: Mission: Impossible—Ghost Protocol. All-out fun, with innovative action scenes that did look pretty impossible to pull off.

Darkest, coolest noir: Drive. This movie left me shaking, it was so tense and good. Out of all the stellar performances Gosling turned in this year, this was my favorite.

Most affecting performance by an actor playing an icon: Michelle Williams as Marilyn Monroe in My Week with Marilyn. Everyone has an opinion about Marilyn and knows so much about her already, but Williams still manages to bring out interesting facets of the legend’s psyche and make our heart break all over again.

My battery light on the laptop is flashing so I’d better wrap this up. Plus, the Dunkin’ Donuts manager is eyeing me suspiciously from the window. Hope you have a fun but safe New Year’s Eve and a magnificent 2012 that goes beyond your imagination.

 

 

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I’ve been TAKEN

If my blog activity slows down a bit in the next week or so, it may not be due to my crazy-ass work schedule or Christmas shopping. After all, Christmas came early this year.

No, I might make myself scarce because I’ve been Taken. By Elvis and Joe. To an undisclosed location, where who knows what will happen.

Since I’m magnanimous, I’ll allow you to shove me down the stairs as many times as you wish. Poke me with a stick, blast Michael Bolton music in my face if you must. I’ve got my padded suit on. Let’s go!

 

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Book Review: THE HOUSE OF SILK by Anthony Horowitz

First, I have to mention the gorgeous cover, which this picture doesn’t fully depict. The gold letters are raised against a rich, deep navy background resembling curtains, which, taken with the “silk” in the title, evoke a sense of luxury. It begs readers to peek behind it to see what treasures lie within. What I found was a treat indeed, but I also realized that the title and cover art are ironic in a devastating way.

The adventure, set in 1890, begins inauspiciously enough with an art dealer, Edmund Carstairs, contacting Sherlock Holmes to say he believes he’s being stalked by a thug wearing a flat cap who has followed him from America. Carstairs believes the man plans to do him harm. Holmes brings in the Baker Street Irregulars, a group of street urchins, to help. Things go awry, dead bodies start to appear, and the case turns out to be much more sinister and far-reaching than either Holmes or Watson could have imagined.

Anthony Horowitz has done something clever. This being the first Holmes novel the Arthur Conan Doyle estate has ever commissioned, the author decided to make it darker than any story in the official canon. It neatly explains why it’s coming to light now—it’s so disturbing, Watson left instructions saying it could only be published a hundred years after his death—while also making it contemporary, because the subject matter is not something Conan Doyle could have written about in his day.

Horowitz captures Watson’s narrative voice quite well, throwing in lots of familiar elements (“When you have eliminated the impossible…”) and characters—Mrs. Hudson, Mycroft, the Irregulars, Inspector Lestrade (painted in a more benevolent light here), and perhaps even a certain professor. The author has created not just one but two mysteries, both compelling, and then weaves them together in a way that seems effortless and as smooth as, well, silk. This is a must-read for hardcore fans, while also being an elegant introduction to those calling at 221B Baker Street for the first time.

Nerd verdict: House of thrills

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Book Review: HELL & GONE by Duane Swierczynski

When I’m not blogging here, I’m A) goofing off, B) running with bears, or C) writing for Criminal Element and Shelf Awareness. If you’re not stalking me on the Internet, here are helpful links to recaps and commentary I did for CE of Whitechapel‘s season oneepisode one, two, and three (there are only three eps per season). It’s a dark British crime drama starring Rupert Penry-Jones (MI-5) and Phil Davis about detectives trying to catch a Jack the Ripper copycat. Season two just started last night on BBC America, with the detectives chasing killers emulating the Krays.

I’m also posting, with permission, my following review that ran on Shelf Awareness for Readers last Friday. If you haven’t started this series, now’s the time to jump in.

Hell & Gone by Duane Swierczynski

Many people use “hell” as a simile, but Duane Swierczynski uses it almost literally to describe the place where most of the action takes place in Hell & Gone, the second installment in the trilogy that started with Fun & Games. Charlie Hardie is kidnapped by the nefarious Accident People—killers who make their hits look like accidents—and sent deep underground to run a prison that supposedly holds the world’s most dangerous criminals. Life is hell in a place with no windows or sunlight, but if anyone tries to escape, everybody dies. Things turn topsy-turvy when one of the prisoners, a gorgeous woman, says she didn’t do anything wrong, that she was looking for Charlie when she was abducted and ended up there. The guards had warned Charlie about how she can mess with people’s heads, so who—and what—should he believe?

Like the previous book, the pace here is unrelenting. The story takes many bizarre turns, but Swierczynski is inventive enough to keep readers from guessing where it’s headed. Poor Charlie can never get a moment’s respite from the craziness around him, a situation whose purpose he still doesn’t understand, much less his role in it. It’s difficult to see “Unkillable Chuck” weakened by injuries he sustained during his first encounter with the Accident People and the mysterious medical procedures they inflict on him at the beginning of this novel. He does get to strike back in the end, though his actions don’t achieve all the desired results. It’s okay, because Point & Shoot is yet to come next March. And if the cliffhanger is an indication, the finale promises to be out of this world.

Nerd verdict: Hell for Charlie; fun for readers

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VENGEANCE Blog Tour: U IS FOR UNDERTOW Review + Excerpt of V

We’re now in the final week of Sue Grafton’s Vengeance Blog Tour, leading up to the November 14 release of her latest, V is for Vengeance. Ten bloggers are reviewing the last five titles in the Kinsey Millhone series, and I’m happy to reintroduce U is for Undertow to you by re-posting my review from two years ago when the book first came out.

After the review, you’ll get the ninth excerpt from V as part of the sneak peek revealed on the tour, plus links to where you can read the other excerpts and to a contest with a generous prize package from Penguin.

Enjoy!

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U is for Undertow Review

I’ve been reading Sue Grafton for a quarter century now, starting in high school when I found her books in the school library (I spent a lot of time there). I devoured the A through C Kinsey Millhone adventures like an ex-con having his first meal on the outside. Over the years the books were uneven, which is understandable with a long series, but I kept reading out of obligation, as if Kinsey had become an old friend whose imperfections I accepted. I listened to her tales even if she rambled a little.

I was thrilled, then, to find her latest adventure, U is for Undertow, utterly captivating. After only a few pages, I knew Kinsey was back on track and I could dive in out of pure pleasure.

The case begins when Kinsey is approached by a young man named Michael Sutton who suddenly remembers something that happened when he was six years old. At the time, Sutton attached no significance to the incident but, after reading a newspaper article about an unsolved 21-year-old kidnapping of a little girl, he believes what he saw were two people burying the child.

After Sutton hires Kinsey to investigate, the story moves back and forth between 1988 (Kinsey’s present) and 1967, when the kidnapping occurred. Grafton deftly juggles multiple POVs; besides Kinsey’s, the author doles out pieces of the puzzle from the perspectives of several characters who are directly and tangentially involved in the crime, painting a full-bodied portrait of each. The plot turns in unpredictable directions and though it might be obvious early on who did it, Grafton keeps you guessing about the why.

The case is complex enough to keep Kinsey busy, but she’s also grappling with personal issues after making startling discoveries about her past which destroy her long-held perceptions of certain family members. Because the books are told in first person and I’ve sided with Kinsey for years against the relatives who abandoned her as a child, these new revelations threw me for a loop as well. Kinsey won’t be able to change overnight but at the end of this book, she takes brave, hopeful steps towards what could be an extreme life makeover.

Nerd verdict: Strong Undertow will pull you in

Continuing down the alphabet, below is the ninth excerpt from V is for Vengeance. You might first want to read part 1 at Lesa’s Book Critiques, pt. 2 at Jen’s Book Thoughts, pt. 3 at Book Reviews by Elizabeth A. White, pt. 4 at Linus’s Blanket, pt. 5 at Devourer of Books, pt. 6 at Kittling: Books, pt. 7 at BermudaOnion’s Weblog, and pt. 8 at Jenn’s Bookshelves. Reviews of books Q through T can also be found there. On Thursday, drop by Booking Mama, who will wrap up the blog tour with another review of U and the final V excerpt.

If you leave a comment on all ten participating blogs, you’ll be eligible to win one of three sets of the Q through U books, plus a copy of V is for Vengeance, courtesy of Penguin. US/Canada residents only.

V: Excerpt #9

The younger woman pressed the down button repeatedly as though to speed the arrival of the car. The elevator doors opened and two pregnant mothers emerged side by side, pushing strollers ahead of them. The younger woman pushed her way past them, and one turned to look at her with annoyance. Another shopper approached in haste and called out, not wanting the doors to close before she had a chance to get on. One of the pregnant women reached back and put a hand against the doors to stall their closure. The shopper smiled gratefully as she stepped in, murmuring her thanks. The elevator doors closed as the two pregnant women ambled off toward infant and children’s wear.

I made a beeline for the fire exit, laid one hip against the push-bar, and entered the stairwell. I went down as rapidly as possible, dropping two steps at a time while I calculated the younger woman’s escape alternatives. She could take the elevator as far as the second floor or the first, or proceed all the way down to the basement level, where the parking garage was located. If she realized I was on her tail, she might leave the elevator on 2 and take the escalator up to 3 again, in hopes of throwing me off course. On the other hand, she probably wanted to get out of the store as quickly as possible, which made the first floor the obvious choice. Once she slipped into the busy mall, she could doff the white linen jacket and the red beret and hurry away, knowing there was no chance I’d reach the exit doors before she’d been swal­lowed into the crowd. I reached the second-floor landing and used the railing as a pivot as I took the next flight down, muffled footsteps echo­ing as I ran. Another possibility occurred to me as I galloped down the stairs. If she’d arrived at the store with an eye to a leisurely day of thieving, she might have wanted her car handy, with a trunk capacious enough to accommodate multiple shopping bags stuffed with stolen goods. How many times had I seen shoppers dropping bags off at the car before returning to the mall?

I rounded the landing at the first floor and bypassed the exit as I sped toward the parking garage. I took the final short flight of stairs in two leaps. The door at the bottom opened into a small carpeted lobby with offices visible behind a set of glass doors. The exit doors slid open as I reached them and then politely closed behind me. I paused to take in the vast underground garage. I was standing in a dead-end bay, circumscribed by a short loop of parking spaces coveted because of their proximity to the store’s entrance. I’ve watched cars circle end­lessly, hoping to snag one of these treasured slots. Now all of them were taken and there was no sign of backing-out taillights to suggest a vacancy coming due.

V may stand for vengeance in Kinsey’s world, but what does the letter represent in your life right now? Leave a comment and you might win a set of books!

For more information on Sue and her upcoming in-person tour, visit her Facebook page.

Pre-order V from Amazon| Pre-order from IndieBound

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