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My Life as a Book 2010

Last year, I did this fun meme in which I described myself by completing sentences using only titles of books I read in 2009. It was based on something I’d seen at Reactions to Reading. I’ve finished more than 50 books this year and thought I might have enough choices to do it again, making up my own sentences this time. (I did it before reviewing my list of books so I wouldn’t tailor them to my titles.) I’d love to see your answers in the comments or on your own blog.

In high school I was: Girl in Translation (Jean Kwok)

People might be surprised I’m: Innocent (Scott Turow)

I will never be: Caught (Harlan Coben)

My fantasy job is: Messenger from Athens (Anne Zouroudi)

At the end of a long day I need: Drink the Tea (Thomas Kaufman)

I hate it when: They’re Watching (Gregg Hurwitz)

Wish I had: The Cleaner (Brett Battles)

My family reunions are: The Survivors Club (Ben Sherwood)

At a party you’d find me with: The Imperfectionists (Tom Rachman)

I’ve never been to: London Boulevard (Ken Bruen)

A happy day includes: 61 Hours (Lee Child)

Motto I live by: My Name is Memory (Ann Brashares)

On my bucket list: Love in Mid-Air (Kim Wright)

In my next life, I want to be: The Girl Who Kicked the Hornet’s Nest (Stieg Larsson)

OK, your turn!

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The Girl Who Will Play Lisbeth Salander Is…

…Rooney Mara.

David Fincher has finally chosen the lead actress for his adaptation of Stieg Larsson’s The Girl with the Dragon Tattoo. Mara, 25, will star opposite Daniel Craig as Mikael Blomkvist, Robin Wright as Millenium‘s editor Erika Berger, Stellan Skarsgard as Martin Vanger, with Max von Sydow in talks for Henrik Vanger.

A few weeks ago, Fincher had whittled down his choices to these four actresses, three of whom are foreigners. Fincher went with the sole American, presumably because he worked with her in his upcoming The Social Network. I don’t know anything about Mara’s acting so I won’t judge but will admit I was kinda rooting for one of the others since the filmmakers are apparently still setting it in Sweden. Then again, Mara has as much chance as the others of being believable since they’re not Scandinavian, either.

For more info, click here.

Lisbeth fans, what do you think? (UPDATE: Here are first photos of Mara in character.)

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Book Reviews: ONE DAY & HOLLY’S INBOX: SCANDAL IN THE CITY

I read a lot of mysteries so my head is often filled with stories about death and other gruesomeness. Every once in a while, I like to clear the palate by reading something different. Here are a couple non-mysteries I recently finished, though I can’t say they were all lightness and rainbows.

One Day by David Nicholls

Emma and Dexter meet in 1988 on their graduation day from an Edinburgh college and we follow the ups and downs of their friendship by checking in with them on the same day, July 15, every year for the next 19 years. On that first day, Emma, a feminist and academic, expresses her hopes of changing the world while making playful predictions of how Dexter, a privileged playboy, would turn out by the time he’s forty. As anyone who’s ever been an idealistic twentysomething knows, life doesn’t always work out the way you envisioned it. We witness Emma and Dexter’s disillusionment, their difficulties in relationships with other people and attempts to adjust their worldview as they mature. Through it all, their relationship remains a constant, ultimately leading to both happiness and tears.

A blurb in the front of this book likens it to When Harry Met Sally but I think that’s too convenient and lazy a comparison. I really enjoyed that movie but it’s a lark compared to this story. One Day delves much more deeply into the messiness of life and death, unfulfilled potential and unrequited feelings, how there’s a window of time to do certain things and once it closes, sometimes it’s forever. Because the book spans almost two decades, you can probably relate to it no matter where you are in your life journey. And if you’ve ever had romantic feelings for your best friend but feared you’d ruin your friendship, you know where Dexter and Emma are coming from.

I was impressed by how well Nicholls, using the third person omniscient POV, captures Emma’s inner life. I’ve had male writer friends tell me getting inside a woman’s head is one of the biggest challenges for them as a writer, but Nicholls makes Emma believably complex, not a man’s idealized or clueless version of how a woman thinks and behaves. I enjoyed her musing while on a date with a wannabe stand-up comedian who wouldn’t quit making jokes:

He’s laughing me into a stupor, she thought. I could heckle, I suppose, I could throw a bread roll at him but he’s eaten them all. She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show? Eat a meal, go to bed, fall in love with me and I promise you years and years of top notch material like this?

Dexter is less likable, with his partying and womanizing, but he recognizes Emma’s beauty long before she does so he’s not completely superficial. He resembles guys I knew in college (I’m about the same age as Dexter and Emma) who later straightened out so I could tolerate Dexter’s shallow phase and believe he’d eventually mature.

The movie version is already in production with Anne Hathaway and Jim Sturgess (21, Across the Universe) as the leads and I think they’re excellent choices. Nicholls, like he did for the screen adaptation of his novel Starter for 10, wrote the script and An Education‘s Lone Scherfig is directing. Read the book now so you can be a snob when the movie comes out.

Nerd verdict: One Day stayed with me for much longer

Buy One Day from Amazon| B&N| Powell’s| IndieBound

Holly’s Inbox: Scandal in the City by Holly Denham

Another male author who has an impressive grasp on the female voice is Bill Surie, who uses the pseudonym Holly Denham to write his two books about, well, Holly Denham. Scandal is the sequel to last year’s Holly’s Inbox and once again, Surie uses only e-mails to tell our heroine’s adventures in her professional and love life but somehow manages to make her a multifaceted character. *Spoiler below if you haven’t read the first one.*

The novel begins with Holly being in a fairly good place: she’s up for a promotion and she and Toby are living together. Well, technically they are but Toby is always at work or out of town. Holly begins to wonder if he’s having an affair, her suspicions strengthened by a bitchy co-worker’s behavior towards Toby. Her new position also doesn’t turn out well and she gets unexpected news when she goes to the doctor. At one point, Holly hits rock bottom but with the support of her friends, she manages to bounce back in time to discover the real reason behind Toby’s absences. *End spoiler*

As with the first book, this one has more emotional impact than you might expect from a book told in a limited format. Nowadays, we probably communicate with our loved ones electronically more than any other way so it’s plausible that e-mails would divulge much about our daily lives. (I just wish there weren’t so many typos, which may resemble real e-mails but I assume this book went through copy edits.) I felt Holly’s pain and frustration in her messages, even when she tries to remain professional in dealing with a mean higher-up or brave in the face of adversity so her family wouldn’t worry too much. The format made it clear that a skilled writer doesn’t need long-winded prose to paint characters with depth. Surie eliminates unnecessary details to cut straight to Holly’s heart.

Nerd verdict: Add Scandal to your inbox

Buy Holly’s Inbox: Scandal in the City from Amazon| B&N| Powell’s| IndieBound

What are you reading this weekend?

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Movie Review: EAT PRAY LOVE

I went into a screening of Eat Pray Love on an empty stomach, which was foolish because it growled in protest every time Julia Roberts took a bite of luscious pasta, cheese-oozing pizza or moist-looking turkey. By the time the movie ended, though, I realized it wasn’t just a feast for my eyes but an emotionally fulfilling experience as well.

Since Elizabeth Gilbert’s memoir sold a bazillion copies worldwide, I’ll assume you’ve either read or have heard of it. If not, here’s a quick rundown: Gilbert, a thirtysomething writer, realizes she’s unhappy in her marriage, gets divorced and decides to devote a year to finding herself by traveling first to Italy (eating without counting calories), then India (praying and meditating) and Bali (learning to love again). She tells stories about the people she met along the way, her struggles to feel connected to something, and her eventual enlightenment.

The book is funnier than the movie because the former has a lot more of Gilbert’s voice and she often made fun of herself. Director/co-writer (with Jennifer Salt) Ryan Murphy’s adaptation contains some voiceover narration but has a more melancholy feel while retaining Gilbert’s warmth and spirit. The locations are lushly captured by Robert Richardson and the score by Dario Marianelli is evocative of each country Gilbert visits.

Roberts turns in a deeply affecting portrayal of a woman in transition. Her face is luminous and transparent, with every emotion clearly visible even when she tries to suppress them. In a scene when Felipe (Javier Bardem), the man she meets in Bali, confronts her about her feelings for him, Roberts’s eyes reveal pure terror at the realization she might be falling for him, something she wasn’t prepared for. She stands there speechless for a moment, tamping down the panic, but it’s all there and I felt it in my chest. This performance is less flashy but more full-bodied than the one of Erin Brockovich (it seems she does her best work playing real women) and deserves another Oscar nomination.

Bardem, though way too young to play Felipe, has the necessary charisma to break Gilbert out of her self-imposed celibacy. He’s not conventionally handsome, with bulging eyes that can be unsettling as we saw in No Country for Old Men, but he can also make those eyes seductive as he does here. His Felipe is a sweet romantic who doesn’t come on too strong, his breezy banter not quite covering the emotional scars from his own divorce.

Other supporting roles are filled by rock-solid actors like James Franco as Gilbert’s young boyfriend David, Richard Jenkins as Richard from Texas (who died earlier this year; he answered a few questions for me last year about the movie and later asked if I knew how he could get a cameo), Viola Davis as Gilbert’s friend Delia, and Hadi Subiyanto, a real find as the Balinese medicine man Ketut. Billy Crudup moved me as Gilbert’s ex-husband, Stephen, a decent man who loves her and doesn’t understand why she no longer reciprocates. Some of the complaints I heard about the book were about how Gilbert seems selfish for giving up a husband for no obvious reasons but that’s one of the things I appreciated about her story. Gilbert refused to paint him as a jerk and Crudup follows her lead. Sometimes two people just aren’t compatible. Leaving a monster is an easy decision; it’s much scarier to walk away from a good person wondering if you did the right thing.

The movie runs about 2:15 but the length is justified, giving Gilbert a chance to absorb each country she visits and allowing us to do the same. I enjoyed the vicarious journey and never once looked at my watch, which means I must’ve learned something from Gilbert: how to stay present.

Nerd verdict: Go See Love

Photos © Columbia Pictures

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Winners of Marcus Sakey’s SCAR TISSUE E-Anthology

My three randomly selected winners are:

Erin
Shell
Eddy

I’ve forwarded your e-mail addresses to Marcus’s rep, Dana, who will send you a code for a free download.

Thank you all for entering and sharing tales of your favorite scars. If you didn’t win, I’ll have another giveaway soon!

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Your Musical Identity

I was in the car today listening to the “Top 5 at 5” feature on a local radio station. Listeners send in lists of five songs they want to hear and the DJ picks one list to play at 5 p.m. Today’s winner was someone named Adriana and her first 3 songs were:

Adam Lambert’s “Whataya Want from Me”
Taylor Swift’s “Love Story”
The Black-eyed Peas’ “Let’s Get It Started”

I didn’t get a chance to hear her final two songs because I arrived at Trader Joe’s and had to begin the back-breaking process of grocery shopping (the bags I hauled outta there were heavier than my car). But I realized the songs I did hear gave me clues to who Adriana might be.

I’d say she’s in her early 20s because she’s a Taylor Swift fan and still young enough to want to get a party started. When you get to a certain age, you want to shut them down. She’s someone who would like to be a rebel like Adam Lambert but is really a sweet girl who’s still looking for the right guy and her own big love story. She probably works 9-5 as an assistant in an office somewhere and having her favorite songs played on the radio helps make her commute home a little more pleasant.

Of course, I could be waaayy off—Adriana could be a 58-year-old divorceé who owns a tattoo parlor—but it was fun to play this little game. I’d like to think Adriana offered up a glimpse of herself, intentionally or not, and I was saying, “I hear you, girl.” I then wondered what would be on my list.

Without thinking too much about it, here’s what I would request in no particular order:

The Eagles’ “New Kid in Town”
Israel “Iz” Kamakawiwo’ole’s “Somewhere Over the Rainbow”/”What a Wonderful World” medley
Fleetwood Mac’s “Don’t Stop”
U2’s “One”
Jason Mraz’s “I’m Yours”

This list will most likely change tomorrow; heck, it might change in 20 minutes. But as it stands, what conclusions would you make from my choices (other than I’m old)? What would be your top 5 at 5?

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It’s a Savage World: Don Winslow’s SAVAGES & Carl Hiaasen’s STAR ISLAND

We’ve had gorgeous weather here in SoCal so you’d think I’d be outside doing outdoorsy stuff, right? Wrong. OK, maybe I spent a couple days outside. Rest of the time, I’ve been a good little nerd, catching up on reading while sitting at my window seat, basking in some secondhand rays. Here’s a couple I finished:

Savages by Don Winslow

Ben, a “Baddhist” (bad Buddhist), and Chon, a vet of two tours in our current war, have gotten rich doing what they love: get high. Chon brought home premium seeds from “Stanland” (Afghanistan) which Ben cultivated into potent blends sold by happy dealers for whom the benevolent Ben even provides health care. Life is good until the Baja Cartel decides to muscle in on their business and kidnaps O, their mutual gal pal, to make sure the boys obey. Big mistake, because Ben and Chon, who suffers from PTLOSD (Post-Traumatic Lack of Stress Disorder), show they can be David to the Goliathan cartel, igniting an explosive series of events that leave more than a few people dead.

If you’re thinking “Drug dealers? No, thanks,” consider this: Winslow is expert at making you care for people you probably wouldn’t want to know in real life. A theme that pops up in many of his books is brotherhood, the unbreakable bond between friends. Ben, O (short for Ophelia), and Chon might do questionable things but what you do unto one, you do unto all. I like books that challenge my worldview and make me a little less judgmental, if only towards fictional characters and situations.

Winslow has a distinctive rhythmic style I find lean, mean, compelling. Here’s how he tells about a lesson Chon (Little Johnny) learned when he was three:

Big John lifted Little Johnny up to the living room fireplace mantel, held his arms out, and told him to jump. “I’ll catch you.”

Delighted, smiling, the little boy launched himself off the mantel, at which point Big John lowered his arms, did an ole, and Little Johnny crashed face-first on the floor. Dazed, hurt, bleeding from the mouth where a front tooth had gone into his lip, Chon learned the lesson his father had intended about trust:

Don’t.

Ever.

Anyone.

Did I mention the book is also funny? It’s dark humor, sure, but there’s levity among the violence. And the dialogue is so hip, you feel a little more gangsta after reading.

It’s no surprise Oliver Stone snapped up the movie rights since the action is cinematic and some of the scenes are actually written in script format. Stone had better not eff it up or I’ll get all Chonny on his ass.

Nerd verdict: Fierce Savages

(For more on Winslow, including coverage of a recent SoCal appearance, check out my friend le0pard13’s three-part article here.)

Buy Savages from Amazon| B&N| Powell’s| IndieBound

Star Island by Carl Hiaasen

Cherry Pye is a spoiled pop star whose penchant for partying and drugs forces her management team, which includes her mother, to hire a double to make the public think Cherry is out and about whenever she’s actually unconscious or getting her stomach pumped at a hospital. A tenacious paparazzo, Bang Abbott, accidentally kidnaps Ann the stand-in then tries to negotiate her release in exchange for getting an exclusive one-on-one photo session with Cherry. When Cherry’s mom doesn’t call the cops, fearing her stunt-double scheme would be exposed, Ann calls a homeless man named Skink to come rescue her. A recurring character in Hiaasen’s books, Skink is a former Florida governor now determined to keep greedy developers from ruining the “cherished wild places of his childhood.” He’d also previously held Ann hostage for a short time but long enough to become smitten with her. He sets off to rescue Ann in Miami, Cherry continues her destructive ways, the hapless Bang thinks he’s getting what he wants but in the end, everyone gets what they pretty much deserve.

From that synopsis alone, you can probably tell this is an over-the-top story with wacky characters. Besides the aforementioned ones, there’s a bodyguard named Chemo with a weed whacker for a hand, a manager with a taste for jailbait, and chain-smoking twin publicists who have had so much plastic surgery their faces don’t move. None of these people have ethics or any other redeeming qualities; this book could have also been called Savages. But unlike Winslow’s characters, there’s no one here to really root for. Ann is probably the most relatable but considering the cast of crazies, she’s in that position by default. She seems decent enough but too passive and ambivalent to be the hero.

Hiassen is a gifted writer capable of combining wicked satire and topical issues. His previous novels have often provoked thought while making me laugh out loud. This time the targets of his parody—fame whores, their grubby hangers-on, greedy lying bastards, unethical politicians—have become so ridiculous in real life, the author can’t outdo them in outrageousness. As I read about Cherry’s sordid adventures involving pills, booze and impulsive tattoos, it felt like reading a tabloid about all of Paris/Lindsay/Britney’s bad behavior. It’s not funny or even satire when it’s too close to reality. I found Cherry’s life and much of the book sad, which was probably not Hiaasen’s intention.

Nerd verdict: Star lacks power

Buy Star Island from Amazon| B&N| Powell’s| IndieBound

What are you reading this weekend? Anything you recommend?

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Winner of IN THE WOODS + Another Giveaway!

My randomly selected winner for a paperback copy of Tana French’s In the Woods is:

Paulette

Congrats! Please hit the contact button and let me know where I should send it. If I don’t hear from you by 7 p.m. Friday, August 6, I’ll choose another winner.

If you didn’t win, don’t despair because I’ve got another giveaway starting…now!

Thanks to Dana at Kaye Publicity, I get to give away THREE free copies of Marcus Sakey‘s recently released e-anthology called Scar Tissue: Seven Stories of Love and Wounds. Marcus is the accomplished author of four novels, three of which have been sold to Hollywood. Scar Tissue is a collection of his previously published short stories, a great way to sample his work if you haven’t already done so.

Here’s the product description:

Marcus Sakey has been called “the new reigning prince of crime fiction,” (Chicago Tribune) and “exactly the electric jolt American crime fiction needs” (Dennis Lehane). Now from the bestselling author of The Blade Itself and Good People comes an anthology of seven short stories:

* “The Desert Here and the Desert Far Away” (nominated for Thriller and Macavity awards)
* “The Days When You Were Anything Else”
* “No One”
* “Gravity and Need”
* “As Breathing”
* “Cobalt”
* “The Time Before the Last”

These stories of men and women pushed to—and beyond—the ragged edge demonstrate why National Public Radio declared Sakey writes “crime drama for the 21st century.” Includes excerpts of Sakey’s previously published novels, as well as an exclusive teaser of his next book, coming June 2011.

Sound good? You know you want it. Before I get to the giveaway rules, I want to reiterate this is an e-book. If you win, you’ll get a code for a free download. You don’t have to own an e-reader; the anthology can be downloaded onto your computer as a PDF file.

To enter:

be a subscriber or Twitter follower (tell me which if you’ve never left a comment before)
leave a comment telling me about a favorite scar of yours or someone else’s if you don’t have one (mine is on my right middle finger from being sliced by a razor blade used by someone cutting my hair)

That’s it. This is open to international readers!

Giveaway ends next Tuesday, August 10, 5 p.m. PST. Three winners will be randomly chosen via Random.org and only announced here and on Twitter. I won’t contact you personally so please check back to see if you win. Winners will have 48 hours to claim the prize before alternate name(s) are chosen.

Now, show me your badass scars!

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Movie Review: FLIPPED

You know how I knew I really liked this movie? My eyes were often wet and I didn’t want it to end. Wished I could stay inside its golden glow for a while longer to see the lead characters grow up, making sure they turn out okay.

Young Bryce (Ryan Ketzner) and Young Juli (Morgan Lily)

Based on the book by Wendelin Van Draanen (how cool is that name?), Flipped (opening August 6) tells the story of two kids growing up on the same street who develop feelings for each other, but different kinds at different times. Juli Baker (Madeline Carroll) decides she has a crush on Bryce Loski (Callan McAuliffe) from the moment she sees his family move into the neighborhood. He thinks the tomboyish, chicken-raising Juli is strange and does all he can to discourage her swooning. Their relationship is also hampered by Bryce’s uptight dad’s (Anthony Edwards) condescending attitude towards Juli’s blue-collar family. Things change when Bryce’s grandfather (John Mahoney) comes to live with the Loskis and takes a shine to Juli. Grandpa makes Bryce see Juli in a different light and eventually Bryce can’t stop thinking about her. His Eureka moment may come too late, though, because after some offensive behavior on his part, Juli is beginning to think he’s no longer worth her devotion.

If you’ve ever experienced the painful sweetness of a childhood crush, you’ll love this movie. I know all about unrequited feelings and being considered the weird girl so relating to Juli was easy. I also found her, as played by the winning Carroll (Kevin Costner’s daughter in Swing Vote), the coolest kid in town, with a maturity way beyond her peers’. I have no doubt the actress will transition well into grown-up roles. The Aussie McAuliffe, with his blond curls and angel face, makes an appropriate puppy love object. His role is less demanding than Carroll’s but he nails the American accent and his screen presence hints at future heartthrob status.

The supporting roles are filled by an Eighties All-Star cast, including my own ’80s crush, Aidan Quinn, as Juli’s dad; Penelope Ann Miller as her mom; Rebecca De Mornay as Bryce’s mother and the aforementioned Edwards as his dad. Perhaps this is because director Rob Reiner’s greatest hits happened two decades ago and he’s indulging in nostalgia. I read in this L.A. Times interview that even though Van Draanen’s book is contemporary, Reiner set the movie in the ’50s to keep the central relationship pure, devoid of Facebook and texting. This was a wise move, allowing him to enhance the story’s emotional resonance with real feelings instead of emoticons. In a time when even kids’ movies are 3D and special effects laden, this simple love story reminds us what it’s like to be truly innocent.

Nerd verdict: Heartfelt Flipped

Photos: Warner Bros.

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Penguin Books 75th Anniversary Giveaway

When I was new in the U.S. and first started reading classics, I noticed the penguin logo was on every paperback I read (couldn’t afford hardcovers back then) and assumed it was on all paperbacks. Of course, I found out later this wasn’t true but my little black and white friend was certainly the symbol of a good book.

Today Penguin Books officially turns 75 but all summer, the Penguin Mobile has been touring the country and driving its authors to celebrations at bookstores in their hometown. The final event will take place in September in New York City, where the Mini Cooper will be auctioned off with proceeds going to the New York Public Library. If I had the cash, I would bid on it in a heartbeat. I’d then take it on a car chase like in The Bourne Identity but that’s another story.

Since I can’t get to NYC, I’m celebrating here by giving away a paperback of Tana French’s In the Woods, which won the 2007 Edgar for best first novel. I haven’t read it but intend to very soon due to all the good reviews her books have received (check out this one by Picky Girl).

Here’s the synopsis from French’s website:

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children, gripping a tree trunk in terror, wearing blood-filled shoes, and unable to recall a single detail of the previous hours.

Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox – his partner and closest friend – find themselves investigating a case with chilling links to that long-ago disappearance. Now, with only snippets of buried memories to guide him, Rob has the chance to unravel both the mystery of the case before him and that of his own shadowy past.

To enter:

be a subscriber or Twitter follower (tell me which)
leave a comment telling me which author you’d like to spend some time with in that cozy little car (perhaps while parked in the woods?)
have a U.S. address

Giveaway ends next Wednesday, August 4, 5 p.m. PST. A winner will be randomly chosen via Random.org and only announced here and on Twitter. I won’t contact you personally so please check back to see if you win. The winner will have 48 hours to claim the prize before an alternate name is chosen.

Now, let’s party in the car and start fogging up the windows!

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The Right Girl

As announced earlier this week, Daniel Craig is confirmed as Mikael Blomkvist in David Fincher’s version of The Girl with the Dragon Tattoo and the two sequels in Stieg Larsson’s Millenium trilogy. I whooped for joy at this news because I think there’s no better choice for Blomkvist. Craig has the intelligence to portray the journalist and the sex appeal to convince us Blomkvist is a ladies’ man.

But now the focus turns towards the casting of Lisbeth Salander, which is more crucial to the success of the franchise. According to numerous sources, Fincher has narrowed his choices to the following four actresses:

Léa Seydoux
Sarah Snook
Rooney Mara
Sophie Lowe

I’m excited that three out of four are foreigners—Snook and Lowe are Australians, Leydoux is French—and all are unknown here. When I watch the movie I’ll want to see only Lisbeth up there, not thinking, “Oh, that’s Ellen Page /Natalie Portman/Carey Mulligan in punk makeup.”

What do you think? Do you want an unknown or more established actress as Lisbeth? Judging only from their photos, do any of these give off a Lisbeth vibe to you? How do you feel about Craig as Blomkvist?

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Book Review: John Verdon’s THINK OF A NUMBER

John Verdon’s Think of a Number hooked me quickly with an intriguing premise, but its need for editing prevents it from being more enjoyable.

Retired NYPD detective Dave Gurney is contacted by an old acquaintance, Mark Mellery, who says he’s being stalked by someone sending sinister notes. The note writer seems to be able to read Mellery’s mind, telling him to think of random numbers and correctly predicting them in previously sealed envelopes. Before Gurney can figure out the motive, Mellery is murdered, with baffling clues left behind for the cops to find. When other bodies start piling up, the police bring in Gurney as a consultant to help beat the killer at his own twisted game.

For the first quarter of the book, Verdon had me flipping the pages because I couldn’t figure out how the killer was pulling off the mind-reading scheme. Eventually, though, the author’s tendency to overwrite everything became problematic. Witness the following:

For a moment he was distracted by the awareness of his own dissembling presentation of his emotional reaction.

That confusing sentence aside, Verdon often states the obvious. Gurney is told by another cop not to remove and touch evidence from a plastic bag when the brilliant veteran detective would know this. Adverbs are overused, both in dialogue tags—e.g. “he whispered gratingly”—and in descriptions: A cop gives Gurney a “professionally neutral” look. As opposed to a casually neutral look? Neutral is neutral.

We’re also told several times within a scene how a character resembles Sigourney Weaver, and the androgynous quality of another’s voice is mentioned every time she speaks. These details have no importance, making their repetition curious. And perhaps to heighten Gurney’s expertise, Verdon piles the stupidity onto almost every other law enforcement character, having them ask inane questions befitting a rookie instead of a DA, police captain or twenty-four-year veteran on the force.

The emotionally distant Gurney is hard to like; even he admits he’s more cerebral than emotive. For all his thinking, his wife Madeleine is the one who figures out some of the most perplexing aspects of the case. He also makes an incredibly careless move to bait the killer that puts Madeleine’s life at risk then doesn’t warn her of the danger she’s in.

The book’s flaws are frustrating because the unique central puzzle could have been turned into a more thrilling story. I wish Gurney, the supposedly astute detective, and his creator had discovered that sometimes less is more.

Nerd verdict: Faulty Number

This post is part of the TLC blog tour for Think of a Number. Click here to see other participating blogs and reviews.

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